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The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act III: Air 42. South Sea Ballad. My Love Is All Madness and Folly (Lucy, Lockit)

The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act III: Air 42. South Sea Ballad. My Love Is All Madness and Folly (Lucy, Lockit)

By Anne Dawson, The Broadside Band, Richard Jackson & Jeremy Barlow Classical 01/10/1991
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The Beggar's Opera: Act 3 No 02. Air 41 'If love's a sweet passion' (Purcell). When young at the bar you first taught me to score (Lucy/Lockit) Anne Dawson, Richard Jackson, The Broadside Band & Jeremy Barlow
The Beggar's Opera: Act 3 No 02. Air 41 'If love's a sweet passion' (Purcell). When young at the bar you first taught me to score (Lucy/Lockit)
The Beggar's Opera: Act 2 No 32. Air 38 'Good-morrow, gossip'. Why how now, Madam Flirt? (Lucy/Polly) Anne Dawson, Bronwen Mills, The Broadside Band & Jeremy Barlow
The Beggar's Opera: Act 2 No 32. Air 38 'Good-morrow, gossip'. Why how now, Madam Flirt? (Lucy/Polly)
The Beggar's Opera: Act 2 No 36. Air 40 'the lass of Patie's Mill'. I like the fox shall grieve (Lucy) Anne Dawson, The Broadside Band & Jeremy Barlow
The Beggar's Opera: Act 2 No 36. Air 40 'the lass of Patie's Mill'. I like the fox shall grieve (Lucy)
The Beggar's Opera: Act 3 No 34. Air 68 'All you that must take a leap' (Ramondon). Would I might be hang'd! (Lucy/Polly/Macheath/Jailer) Anne Dawson, Bronwen Mills, Adrian Thompson, Timothy Taylor, The Broadside Band & Jeremy Barlow
The Beggar's Opera: Act 3 No 34. Air 68 'All you that must take a leap' (Ramondon). Would I might be hang'd! (Lucy/Polly/Macheath/Jailer)
The Beggar's Opera: Act 2 No 35. Dialogue. I am naturally compassionate, wife (Macheath/Lucy) Adrian Thompson & Anne Dawson
The Beggar's Opera: Act 2 No 35. Dialogue. I am naturally compassionate, wife (Macheath/Lucy)
The Beggar's Opera: Act 2 No 30. Air 36 'Irish trot'. I'm bubbled (Polly/Lucy/Macheath) Bronwen Mills, Anne Dawson, Adrian Thompson, The Broadside Band & Jeremy Barlow
The Beggar's Opera: Act 2 No 30. Air 36 'Irish trot'. I'm bubbled (Polly/Lucy/Macheath)
The Beggar's Opera: Act 2 No 29. Air 35 'Have you heard of a frolicksome ditty?'. How happy could I be with either (Macheath/Polly/Lucy) Adrian Thompson, Bronwen Mills, Anne Dawson, The Broadside Band & Jeremy Barlow
The Beggar's Opera: Act 2 No 29. Air 35 'Have you heard of a frolicksome ditty?'. How happy could I be with either (Macheath/Polly/Lucy)
Le nozze di Figaro, K. 492, Act IV:
Le nozze di Figaro, K. 492, Act IV: "Gente, gente, all'armi, all'armi!" (Conte, Figaro, Basilio, Don Curzio, Antonio, Bartolo, Susanna, Cherubino, Barbarina, Marcellina, Contessa)
The Beggar's Opera: Act 3 No 26. Air 55 'Ianthe the lovely' (Barrett). When he holds up his hand (Lucy/Lockit) Anne Dawson, Richard Jackson, The Broadside Band & Jeremy Barlow
The Beggar's Opera: Act 3 No 26. Air 55 'Ianthe the lovely' (Barrett). When he holds up his hand (Lucy/Lockit)
The Beggar's Opera: Act 3 No 17. Air 49 'O Bessy Bell'. A curse attends that woman's love (Polly/Lucy) Bronwen Mills, Anne Dawson, The Broadside Band & Jeremy Barlow
The Beggar's Opera: Act 3 No 17. Air 49 'O Bessy Bell'. A curse attends that woman's love (Polly/Lucy)
The Beggar's Opera: Act 3 No 16. Air 48 'Now Roger, I'll tell thee, because thou'rt my son'. When a wife's in her pout (Lucy/Polly) Bronwen Mills, The Broadside Band, Jeremy Barlow & Anne Dawson
The Beggar's Opera: Act 3 No 16. Air 48 'Now Roger, I'll tell thee, because thou'rt my son'. When a wife's in her pout (Lucy/Polly)
The Beggar's Opera: Act 2 No 31. Air 37. Cease your funning (Polly/Macheath/Lucy) Bronwen Mills, Adrian Thompson, Anne Dawson, The Broadside Band & Jeremy Barlow
The Beggar's Opera: Act 2 No 31. Air 37. Cease your funning (Polly/Macheath/Lucy)
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Christopher Columbus, Act 2: "Last night was one of those nights you remember" (Isabella, Police Chief, Fleurette)
The Immortal Hour, Act II: No. 20. This Nameless Lord (Eochaidh, Etain) English Chamber Orchestra, Anne Dawson, David Wilson-Johnson & Alan G. Melville
The Immortal Hour, Act II: No. 20. This Nameless Lord (Eochaidh, Etain)
The Immortal Hour, Act 1 Scene 2: Good Folk, I Give You Greeting (Eochaidh/Etain/Manus) Anne Dawson, Alan G. Melville, Roger Bryson, English Chamber Orchestra & David Wilson-Johnson
The Immortal Hour, Act 1 Scene 2: Good Folk, I Give You Greeting (Eochaidh/Etain/Manus)
The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act II: Dialogue. Whence Come You, Hussy? (Lockit, Lucy) Richard Jackson & Anne Dawson
The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act II: Dialogue. Whence Come You, Hussy? (Lockit, Lucy)
The Immortal Hour, Act 2: Etain, Speak, My Queen (Eochaidh/Etain) Anne Dawson, Alan G. Melville, English Chamber Orchestra & David Wilson-Johnson
The Immortal Hour, Act 2: Etain, Speak, My Queen (Eochaidh/Etain)
Le nozze di Figaro, K. 492, Act IV: Recitativo.
Le nozze di Figaro, K. 492, Act IV: Recitativo. "Nel padiglione a manca" (Barbarina, Figaro, Basilio, Bartolo)
The Immortal Hour, Act 2: I Am a Small Green Leaf in a Great Wood (Etain/Eochaidh/Midir) Maldwyn Davies, Anne Dawson, Alan G. Melville, English Chamber Orchestra & David Wilson-Johnson
The Immortal Hour, Act 2: I Am a Small Green Leaf in a Great Wood (Etain/Eochaidh/Midir)
The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act III: Air 68. All You That Must Take a Leap. Would I Might Be Hang'd! (Lucy, Polly, Macheath, Jailer) Adrian Thompson, Anne Dawson, Timothy Taylor, Jeremy Barlow, The Broadside Band & Bronwen Mills
The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act III: Air 68. All You That Must Take a Leap. Would I Might Be Hang'd! (Lucy, Polly, Macheath, Jailer)
Invocation to Music: VII. Man, Born of Desire Matthias Bamert, London Philharmonic Orchestra, London Philharmonic Choir & Anne Dawson
Invocation to Music: VII. Man, Born of Desire
The Beggar's Opera: Act 3 No 14. Air 47 'One evening, having lost my way'. I'm like a skiff on the ocean tossed (Lucy/Filch) The Broadside Band, Jeremy Barlow, Anne Dawson & Ian Honeyman
The Beggar's Opera: Act 3 No 14. Air 47 'One evening, having lost my way'. I'm like a skiff on the ocean tossed (Lucy/Filch)
The Beggar's Opera: Act 2 No 28. Air 34 'All in the Downs' (Sandoni). Thus when the swallow, seeking prey (Polly/Macheath/Lucy) Bronwen Mills, Adrian Thompson, Anne Dawson, The Broadside Band & Jeremy Barlow
The Beggar's Opera: Act 2 No 28. Air 34 'All in the Downs' (Sandoni). Thus when the swallow, seeking prey (Polly/Macheath/Lucy)
The Dream of the Rood, Op. 19: No. 1, Behold! When Mortal Men Were at Rest Richard Hickox, London Symphony Orchestra & Anne Dawson
The Dream of the Rood, Op. 19: No. 1, Behold! When Mortal Men Were at Rest
The Immortal Hour, Act 2: This Nameless Lord (Eochaidh/Etain) Anne Dawson, Alan G. Melville, English Chamber Orchestra & David Wilson-Johnson
The Immortal Hour, Act 2: This Nameless Lord (Eochaidh/Etain)
The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act III: Air 55. Ianthe the Lovely (Barrett). When He Holds Up His Hand (Lucy, Lockit) Anne Dawson, The Broadside Band, Richard Jackson & Jeremy Barlow
The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act III: Air 55. Ianthe the Lovely (Barrett). When He Holds Up His Hand (Lucy, Lockit)
Invocation to Music: V. Love to Love calleth (Soprano, Tenor) Matthias Bamert, London Philharmonic Orchestra, Anne Dawson & Arthur Davies
Invocation to Music: V. Love to Love calleth (Soprano, Tenor)
The Beggar's Opera: Act 3 No 33. Dialogue. My dear Lucy, my dear Polly (Macheath/Polly/Lucy) Adrian Thompson, Bronwen Mills & Anne Dawson
The Beggar's Opera: Act 3 No 33. Dialogue. My dear Lucy, my dear Polly (Macheath/Polly/Lucy)
Invocation to Music: I. Introduction Matthias Bamert, London Philharmonic Orchestra, Anne Dawson & London Philharmonic Choir
Invocation to Music: I. Introduction
The Immortal Hour, Act 2: I, Too, Have Heard Strange Delicate Music (Etain) Anne Dawson, Alan G. Melville & English Chamber Orchestra
The Immortal Hour, Act 2: I, Too, Have Heard Strange Delicate Music (Etain)
The Immortal Hour, Act I Scene 2: No. 9, I, Too, Am Lifted with the Breath (Etain, Eochaidh) David Wilson-Johnson, English Chamber Orchestra, Anne Dawson & Alan G. Melville
The Immortal Hour, Act I Scene 2: No. 9, I, Too, Am Lifted with the Breath (Etain, Eochaidh)
The Beggar's Opera: Act 3 No 13. Dialogue. Jealousy, rage, love and fear (Lucy) Anne Dawson
The Beggar's Opera: Act 3 No 13. Dialogue. Jealousy, rage, love and fear (Lucy)
The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act II: Air 37. Cease Your Funning (Polly, Macheath, Lucy) Adrian Thompson, Anne Dawson, The Broadside Band, Jeremy Barlow & Bronwen Mills
The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act II: Air 37. Cease Your Funning (Polly, Macheath, Lucy)
The Beggar's Opera: Act 2 No 18. Air 28 ''Twas when the sea was roaring' (Handel). How cruel are the traitors (Lucy/Macheath) Anne Dawson, Adrian Thompson, The Broadside Band & Jeremy Barlow
The Beggar's Opera: Act 2 No 18. Air 28 ''Twas when the sea was roaring' (Handel). How cruel are the traitors (Lucy/Macheath)
The Immortal Hour, Act I Scene 1: No. 12, Hail, Daughter of Kings (Dalua, Etain) English Chamber Orchestra, Roderick Kennedy, Alan G. Melville & Anne Dawson
The Immortal Hour, Act I Scene 1: No. 12, Hail, Daughter of Kings (Dalua, Etain)
The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act II: Dialogue. Where Is My Dear Husband? (Polly, Macheath, Lucy) Adrian Thompson, Bronwen Mills & Anne Dawson
The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act II: Dialogue. Where Is My Dear Husband? (Polly, Macheath, Lucy)
The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act III: Dialogue. To Be Sure, Wench (Lockit, Lucy) Richard Jackson & Anne Dawson
The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act III: Dialogue. To Be Sure, Wench (Lockit, Lucy)
Elijah, Op. 70, Pt. 1:
Elijah, Op. 70, Pt. 1: "For He Shall Give His Angels Charge" - "Now Cherith's Brook Is Dried Up"
The Immortal Hour, Act 1 Scene 1: Led Here by Dreams (Dalua/Etain) Anne Dawson, Alan G. Melville, Roderick Kennedy & English Chamber Orchestra
The Immortal Hour, Act 1 Scene 1: Led Here by Dreams (Dalua/Etain)
The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act III: Dialogue. Jealousy, Rage, Love and Fear (Lucy) Anne Dawson
The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act III: Dialogue. Jealousy, Rage, Love and Fear (Lucy)
The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act III: Air 42. South Sea Ballad. My Love Is All Madness and Folly (Lucy, Lockit) Anne Dawson, The Broadside Band, Richard Jackson & Jeremy Barlow
The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act III: Air 42. South Sea Ballad. My Love Is All Madness and Folly (Lucy, Lockit)
The Immortal Hour, Act 1 Scene 1: I Will Go Back to the Country of the Young (Etain) Anne Dawson, Alan G. Melville & English Chamber Orchestra
The Immortal Hour, Act 1 Scene 1: I Will Go Back to the Country of the Young (Etain)
The Immortal Hour, Act I Scene 1: No. 11, Fair Is the Moonlight (Etain) Anne Dawson, Alan G. Melville & English Chamber Orchestra
The Immortal Hour, Act I Scene 1: No. 11, Fair Is the Moonlight (Etain)
The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act III: Air 51. Come, Sweet Lass. Come, Sweet Lass (Lucy) Anne Dawson, The Broadside Band & Jeremy Barlow
The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act III: Air 51. Come, Sweet Lass. Come, Sweet Lass (Lucy)
The Immortal Hour, Act I Scene 2: No. 3, But Sometimes. Tell Me, Have You Heard (Etain, Manus, Maive, Eochaidh) Alan G. Melville, Anne Dawson, David Wilson-Johnson, English Chamber Orchestra, Patricia Taylor & Roger Bryson
The Immortal Hour, Act I Scene 2: No. 3, But Sometimes. Tell Me, Have You Heard (Etain, Manus, Maive, Eochaidh)
The Immortal Hour, Act II: No. 6, Etain, Speak, My Queen (Eochaidh, Etain) Alan G. Melville, English Chamber Orchestra, Anne Dawson & David Wilson-Johnson
The Immortal Hour, Act II: No. 6, Etain, Speak, My Queen (Eochaidh, Etain)
The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act III: Air 48. Now Roger, I'll Tell Thee, Because Thou'rt My Son (Lucy, Polly) Jeremy Barlow, Bronwen Mills, Anne Dawson & The Broadside Band
The Beggar's Opera (Arr. Pepusch, Ed. Barlow), Act III: Air 48. Now Roger, I'll Tell Thee, Because Thou'rt My Son (Lucy, Polly)
The Immortal Hour, Act I Scene 2: No. 5, Good Sir, Brave Lord! (Maive, Manus, Eochaidh, Etain) Alan G. Melville, Anne Dawson, David Wilson-Johnson, English Chamber Orchestra, Patricia Taylor & Roger Bryson
The Immortal Hour, Act I Scene 2: No. 5, Good Sir, Brave Lord! (Maive, Manus, Eochaidh, Etain)
The Beggar's Opera: Act 2 No 25. Dialogue. Though the ordinary was out of the way today (Lucy/Macheath) Anne Dawson & Adrian Thompson
The Beggar's Opera: Act 2 No 25. Dialogue. Though the ordinary was out of the way today (Lucy/Macheath)
The Immortal Hour, Act I Scene 1: No. 17, I Will Go Back to the Country of the Young (Etain) English Chamber Orchestra, Anne Dawson & Alan G. Melville
The Immortal Hour, Act I Scene 1: No. 17, I Will Go Back to the Country of the Young (Etain)
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