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War and Peace, Op. 91, Scene 13: The Commander-in-chief is coming! (Adjutant, Denisov, Dolokhov, Vasilisa, Fyodor, Tikhon, Dunyash

War and Peace, Op. 91, Scene 13: The Commander-in-chief is coming! (Adjutant, Denisov, Dolokhov, Vasilisa, Fyodor, Tikhon, Dunyash

By Catherine Pierard, Igor Matioukhin, Justin Lavender, Richard Hickox, Spoleto Festival Orchestra, Tatiana Odinokova & Vadim Zaplechny Classical 01/06/2000
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The Fairy Queen, Z. 629, Second Musick: Air London Classical Players, Sir Roger Norrington, Lorraine Hunt Lieberson, Catherine Pierard, Susan Bickley, Howard Crook, Mark Padmore, David Wilson-Johnson, Schütz Choir of London & Richard Wistreich
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Come Sing And Dance: Come Sing and Dance Catherine Pierard & Julius Drake
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Dioclesian, Z. 627, Act II: Charon the peaceful Shade invites (Soprano) Richard Hickox, Collegium Musicum 90 & Catherine Pierard
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The Rape of Lucretia, Op. 37, Act II Scene 2: Is it all? Is all this suffering and pain, is this in vain? (Female Chorus, Male Cho Richard Hickox, City of London Sinfonia, Nigel Robson & Catherine Pierard
The Rape of Lucretia, Op. 37, Act II Scene 2: Is it all? Is all this suffering and pain, is this in vain? (Female Chorus, Male Cho
Dioclesian, Z. 627, Masque: The Third Entry. Tell me why (Shepherd, Shepherdess) Richard Hickox, Collegium Musicum 90, Michael George & Catherine Pierard
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The Rape of Lucretia, Op. 37, Act II Scene 1: The prosperity of the Etruscans was due to the richness of their native soil (Lucia, Richard Hickox, City of London Sinfonia, Patricia Rozario, Ameral Gunson, Alastair Miles, Alan Opie, Nigel Robson & Catherine Pierard
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L'incoronazione di Poppea, SV 308, Act 1: "Seneca, io miro in cielo" (Pallade, Seneca)
War and Peace, Op. 91, Scene 3: The young Prince's fiancée (Old Footman, Housemaid, Valet, Count Rostov, Natasha, Princess Mariya) Richard Hickox, Spoleto Festival Orchestra, Thomas Guthrie, Tatiana Odinokova, Dmitry Kanevsky, Ekaterina Morozova, Stephen Dupont & Catherine Pierard
War and Peace, Op. 91, Scene 3: The young Prince's fiancée (Old Footman, Housemaid, Valet, Count Rostov, Natasha, Princess Mariya)
The Rape of Lucretia, Op. 37, Act II Scene 2: This dead hand lets fall all that my heart held when full (Collatinus, Junius, Bianc Richard Hickox, City of London Sinfonia, Patricia Rozario, Ameral Gunson, Alastair Miles, Alan Opie, Nigel Robson & Catherine Pierard
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The Rape of Lucretia, Op. 37, Act I Scene 2: Their spinning wheel unwinds dreams which desire has spun (Lucretia, Bianca, Lucia, F Richard Hickox, City of London Sinfonia, Jean Rigby, Patricia Rozario, Ameral Gunson & Catherine Pierard
The Rape of Lucretia, Op. 37, Act I Scene 2: Their spinning wheel unwinds dreams which desire has spun (Lucretia, Bianca, Lucia, F
The Rape of Lucretia, Op. 37, Act I Scene 2: None of the women move. It is too late for a messenger (Lucretia, Bianca, Lucia, Fema Richard Hickox, City of London Sinfonia, Jean Rigby, Patricia Rozario, Ameral Gunson & Catherine Pierard
The Rape of Lucretia, Op. 37, Act I Scene 2: None of the women move. It is too late for a messenger (Lucretia, Bianca, Lucia, Fema
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War and Peace, Op. 91, Scene 3: Ah, Madam, young lady… (Prince Bolkonsky, Princess Mariya, Natasha, Count Rostov) Richard Hickox, Spoleto Festival Orchestra, Vladimir Ognev, Catherine Pierard, Ekaterina Morozova & Stephen Dupont
War and Peace, Op. 91, Scene 3: Ah, Madam, young lady… (Prince Bolkonsky, Princess Mariya, Natasha, Count Rostov)
War and Peace, Op. 91, Scene 13: The Commander-in-chief is coming! (Adjutant, Denisov, Dolokhov, Vasilisa, Fyodor, Tikhon, Dunyash Catherine Pierard, Igor Matioukhin, Justin Lavender, Richard Hickox, Spoleto Festival Orchestra, Tatiana Odinokova & Vadim Zaplechny
War and Peace, Op. 91, Scene 13: The Commander-in-chief is coming! (Adjutant, Denisov, Dolokhov, Vasilisa, Fyodor, Tikhon, Dunyash
The Rape of Lucretia, Op. 37, Act II Scene 2: Is it all? Is all this suffering and pain, is this in vain? (Female Chorus, Male Cho Richard Hickox, City of London Sinfonia, Nigel Robson & Catherine Pierard
The Rape of Lucretia, Op. 37, Act II Scene 2: Is it all? Is all this suffering and pain, is this in vain? (Female Chorus, Male Cho
4 Songs, Op. 22: I. There was a Maiden Catherine Pierard & Julius Drake
4 Songs, Op. 22: I. There was a Maiden
The Rape of Lucretia, Op. 37, Act I Scene 2: Listen! I heard a knock. Somebody is at the gate (Lucretia, Bianca, Lucia) Richard Hickox, City of London Sinfonia, Jean Rigby, Patricia Rozario, Ameral Gunson & Catherine Pierard
The Rape of Lucretia, Op. 37, Act I Scene 2: Listen! I heard a knock. Somebody is at the gate (Lucretia, Bianca, Lucia)
Dioclesian, Z. 627, Act V: Call the nymphs (Cupid, Chorus) Richard Hickox, Collegium Musicum 90, Catherine Pierard & Collegium Musicum 90 Choir
Dioclesian, Z. 627, Act V: Call the nymphs (Cupid, Chorus)
The Rape of Lucretia, Op. 37, Act II Scene 1: She sleeps as a rose upon the night (Female Chorus, Male Chorus) Richard Hickox, City of London Sinfonia, Nigel Robson & Catherine Pierard
The Rape of Lucretia, Op. 37, Act II Scene 1: She sleeps as a rose upon the night (Female Chorus, Male Chorus)
War and Peace, Op. 91, Scene 8: Come on lads! That's the way! (Volunteers, Tikhon, Fyodor, Denisov, Prince Andrey, Matveyev, Vasil Richard Hickox, Spoleto Festival Orchestra, Igor Matioukhin, Vadim Zaplechny, Thomas Guthrie, Roderick Williams, Stephen Dupont & Catherine Pierard
War and Peace, Op. 91, Scene 8: Come on lads! That's the way! (Volunteers, Tikhon, Fyodor, Denisov, Prince Andrey, Matveyev, Vasil
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Dioclesian, Z. 627, Act II: A Symphony of Flutes - Since the toils and the hazards - Let the priests… - All sing… (Alto, Soprano, Richard Hickox, Collegium Musicum 90, James Bowman, Catherine Pierard, John Mark Ainsley, Mark Padmore, Michael George & Collegium Musicum 90 Choir
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Upon a Summer's Day Catherine Pierard & Julius Drake
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The Rape of Lucretia, Op. 37, Act I Scene 2: None of the women move. It is too late for a messenger (Lucretia, Bianca, Lucia, Fema Richard Hickox, City of London Sinfonia, Jean Rigby, Patricia Rozario, Ameral Gunson & Catherine Pierard
The Rape of Lucretia, Op. 37, Act I Scene 2: None of the women move. It is too late for a messenger (Lucretia, Bianca, Lucia, Fema
The Rape of Lucretia, Op. 37, Act I Scene 1: Here the thirsty ev'ening has drunk the wine of light (Male Chorus, Female Chorus) Richard Hickox, City of London Sinfonia, Nigel Robson & Catherine Pierard
The Rape of Lucretia, Op. 37, Act I Scene 1: Here the thirsty ev'ening has drunk the wine of light (Male Chorus, Female Chorus)
War and Peace, Op. 91, Scene 5: Balaga! (Dolokhov, Anatoly, Balaga, Matryosha) Richard Hickox, Spoleto Festival Orchestra, Oleg Balashov, Igor Matioukhin, Marcus Van Den Akker & Catherine Pierard
War and Peace, Op. 91, Scene 5: Balaga! (Dolokhov, Anatoly, Balaga, Matryosha)
The Rape of Lucretia, Op. 37, Act II Scene 1: The prosperity of the Etruscans was due to the richness of their native soil (Lucia, Richard Hickox, City of London Sinfonia, Jean Rigby, Patricia Rozario, Ameral Gunson & Catherine Pierard
The Rape of Lucretia, Op. 37, Act II Scene 1: The prosperity of the Etruscans was due to the richness of their native soil (Lucia,
Blaweary Catherine Pierard & Julius Drake
Blaweary
L'incoronazione di Poppea, SV 308, Prologue: Sinfonia -
L'incoronazione di Poppea, SV 308, Prologue: Sinfonia - "Deh, nasconditi, o Virtù" (Fortuna, Virtù, Amore)
Lost Love: Lost love Catherine Pierard & Julius Drake
Lost Love: Lost love
The Rape of Lucretia, Op. 37, Act II Scene 1: Lucretia! (Tarquinius, Lucretia, Male Chorus, Female Chorus) Richard Hickox, City of London Sinfonia, Donald Maxwell & Catherine Pierard
The Rape of Lucretia, Op. 37, Act II Scene 1: Lucretia! (Tarquinius, Lucretia, Male Chorus, Female Chorus)
A Garland for de la Mare: VII. The Song of the Secret Catherine Pierard & Julius Drake
A Garland for de la Mare: VII. The Song of the Secret
2 South African Settings: I. Einsaamleid (Loneliness) Catherine Pierard & Julius Drake
2 South African Settings: I. Einsaamleid (Loneliness)
Dioclesian, Z. 627, Act II: Let all mankind the pleasure share (Soprano, Bass, Chorus) Richard Hickox, Collegium Musicum 90, Catherine Pierard, Michael George & Collegium Musicum 90 Choir
Dioclesian, Z. 627, Act II: Let all mankind the pleasure share (Soprano, Bass, Chorus)
Dioclesian, Z. 627, Appendicies: Song
Dioclesian, Z. 627, Appendicies: Song "Since from me dear Astrea's sight" (Soprano)
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