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Der Barbier von Bagdad (the Barber of Bagdad): Act II: Dass nicht die laute Welt uns store (Nureddin, Abul, Margiana)

Der Barbier von Bagdad (the Barber of Bagdad): Act II: Dass nicht die laute Welt uns store (Nureddin, Abul, Margiana)

By Dale Duesing, Fritz Peter, Ferdinand Schnelle, Hans Sotin, Marga Schiml, Ferdinand Leitner, Horst R. Laubenthal, Rolf Dieter Krull, West German Radio Chorus, Anton Maxen, Andre Peysang, West German Radio Symphony Orchestra & Helen Donath Classical 30/09/2008
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More Music from Dale Duesing, Fritz Peter, Ferdinand Schnelle, Hans Sotin, Marga Schiml, Ferdinand Leitner, Horst R. Laubenthal, Rolf Dieter Krull, West German Radio Chorus, Anton Maxen, Andre Peysang, West German Radio Symphony Orchestra & Helen Donath
Les Contes d'Hoffmann, Act IV: Vénus dit à Fortune (Giulietta, Chorus, Hoffmann, Schlemil) Jessye Norman, Dale Duesing, Sylvain Cambreling & Neil Shicoff
Les Contes d'Hoffmann, Act IV: Vénus dit à Fortune (Giulietta, Chorus, Hoffmann, Schlemil)
Les Contes d'Hoffmann, Act IV: Qui connaît donc la souffrance...Hoffmann, vite, partons d'ici!...O Dieu, de quelle ivresse embrasses-tu mon âme (Giulietta/Choeurs/Hoffmann/Nicklausse) Neil Shicoff, Ann Murray (Mezzosopran), Ann Murray, Luciana Serra, Jessye Norman, Rosalind Plowright, Dale Duesing, Jocelyn Taillon, Sylvain Cambreling, Thierry Dran, Orchestre Symphonique Et Choeurs De L'Opéra National Du Théâtre Royal De La Monnaie (Brüssel), Gunter Wagner & Robert Tear
Les Contes d'Hoffmann, Act IV: Qui connaît donc la souffrance...Hoffmann, vite, partons d'ici!...O Dieu, de quelle ivresse embrasses-tu mon âme (Giulietta/Choeurs/Hoffmann/Nicklausse)
Les Contes d'Hoffmann, Act IV: Jusqu'à là cependant affermis mon courage...Aujourd'hui, aujour'hui les larmes (Giulietta, Hoffmann) Neil Shicoff, Ann Murray, Jessye Norman, Luciana Serra, Rosalind Plowright, Sylvain Cambreling, Dale Duesing, Jocelyn Taillon, Thierry Dran, Orchestre Symphonique Et Choeurs De L'Opéra National Du Théâtre Royal De La Monnaie (Brüssel), Gunter Wagner & Robert Tear
Les Contes d'Hoffmann, Act IV: Jusqu'à là cependant affermis mon courage...Aujourd'hui, aujour'hui les larmes (Giulietta, Hoffmann)
Don Giovanni, K. 527, Act 1:
Don Giovanni, K. 527, Act 1: "Giovinette, che fate all'amore"
Don Giovanni, K. 527, Act 2:
Don Giovanni, K. 527, Act 2: "Ah! dov'è il perfido?"
Arias and Barcarolles (arr. Bright Sheng for mezzo-soprano, baritone, strings and percussion): No. 8. Nachspiel Jane Bunnell, Dale Duesing, Seattle Symphony & Gerard Schwarz
Arias and Barcarolles (arr. Bright Sheng for mezzo-soprano, baritone, strings and percussion): No. 8. Nachspiel
Arias and Barcarolles (arr. Bright Sheng for mezzo-soprano, baritone, strings and percussion): No. 5. Greeting Jane Bunnell, Seattle Symphony, Gerard Schwarz & Dale Duesing
Arias and Barcarolles (arr. Bright Sheng for mezzo-soprano, baritone, strings and percussion): No. 5. Greeting
Der Barbier Von Bagdad (The Barber of Bagdad): Act I: Mein Sohn, Sei Allahs Frieden… (Abul, Nureddin) Hans Sotin, Marga Schiml, Helen Donath, Dale Duesing, West German Radio Chorus, Ferdinand Leitner, West German Radio Symphony Orchestra, Fritz Peter, Horst R. Laubenthal, Rolf Dieter Krull, Anton Maxen, Ferdinand Schnelle & Andre Peysang
Der Barbier Von Bagdad (The Barber of Bagdad): Act I: Mein Sohn, Sei Allahs Frieden… (Abul, Nureddin)
Don Giovanni, K. 527, Act 2:
Don Giovanni, K. 527, Act 2: "Sola, sola in buio loco"
Les Contes d'Hoffmann, Act IV: Qui connaît donc la souffrance...Hoffmann, vite, partons d'ici!...O Dieu, de quelle ivresse embrasses-tu mon âme (Giulietta/Choeurs/Hoffmann/Nicklausse) Neil Shicoff, Ann Murray (Mezzosopran), Ann Murray, Luciana Serra, Jessye Norman, Rosalind Plowright, Dale Duesing, Jocelyn Taillon, Sylvain Cambreling, Thierry Dran, Orchestre Symphonique Et Choeurs De L'Opéra National Du Théâtre Royal De La Monnaie (Brüssel), Gunter Wagner & Robert Tear
Les Contes d'Hoffmann, Act IV: Qui connaît donc la souffrance...Hoffmann, vite, partons d'ici!...O Dieu, de quelle ivresse embrasses-tu mon âme (Giulietta/Choeurs/Hoffmann/Nicklausse)
Der Barbier Von Bagdad (The Barber of Bagdad): Act I: So Leb' Ich Noch! So Hat Noch Nicht (Nureddin) Hans Sotin, Marga Schiml, Helen Donath, Dale Duesing, West German Radio Chorus, Ferdinand Leitner, West German Radio Symphony Orchestra, Fritz Peter, Horst R. Laubenthal, Rolf Dieter Krull, Anton Maxen, Ferdinand Schnelle & Andre Peysang
Der Barbier Von Bagdad (The Barber of Bagdad): Act I: So Leb' Ich Noch! So Hat Noch Nicht (Nureddin)
Der Barbier Von Bagdad (The Barber of Bagdad): Overture Hans Sotin, Marga Schiml, Helen Donath, Dale Duesing, West German Radio Chorus, Ferdinand Leitner, West German Radio Symphony Orchestra, Fritz Peter, Horst R. Laubenthal, Rolf Dieter Krull, Anton Maxen, Ferdinand Schnelle & Andre Peysang
Der Barbier Von Bagdad (The Barber of Bagdad): Overture
Der Barbier von Bagdad (the Barber of Bagdad): Act II: Dass nicht die laute Welt uns store (Nureddin, Abul, Margiana) Dale Duesing, Fritz Peter, Ferdinand Schnelle, Hans Sotin, Marga Schiml, Ferdinand Leitner, Horst R. Laubenthal, Rolf Dieter Krull, West German Radio Chorus, Anton Maxen, Andre Peysang, West German Radio Symphony Orchestra & Helen Donath
Der Barbier von Bagdad (the Barber of Bagdad): Act II: Dass nicht die laute Welt uns store (Nureddin, Abul, Margiana)
Waiting for Miss Monroe, Act I (Workday): Action Delayed Netherlands Chamber Orchestra, Steven Sloane & Dale Duesing
Waiting for Miss Monroe, Act I (Workday): Action Delayed
Der Barbier von Bagdad (the Barber of Bagdad): Act I: So leb' ich noch! So hat noch nicht (Nureddin) Ferdinand Leitner, Hans Sotin, Anton Maxen, Andre Peysang, West German Radio Symphony Orchestra, Helen Donath, Dale Duesing, Fritz Peter, Ferdinand Schnelle, Marga Schiml, Horst R. Laubenthal, Rolf Dieter Krull & West German Radio Chorus
Der Barbier von Bagdad (the Barber of Bagdad): Act I: So leb' ich noch! So hat noch nicht (Nureddin)
Don Giovanni, K. 527, Act 2:
Don Giovanni, K. 527, Act 2: "V'è gente alla finestra"
Waiting for Miss Monroe, Act III (Deathday): Marilyn, I Want You To Come Back To My Studio Netherlands Chamber Orchestra, Steven Sloane, Laura Aikin & Dale Duesing
Waiting for Miss Monroe, Act III (Deathday): Marilyn, I Want You To Come Back To My Studio
Wintermärchen (Le conte d'hiver): Friede, Paulina (Leontes) Dale Duesing, L’Orchestre Symphonique de la Monnaie & Antonio Pappano
Wintermärchen (Le conte d'hiver): Friede, Paulina (Leontes)
Andante Con Moto Tranquilo Dale Duesing, Sarah Reese, Chicago Symphony Orchestra, Chorus & Andrew Schenck
Andante Con Moto Tranquilo
Wagner Dream, Scene 6: Om Om Om Sarwa Buddha Dakiniye Ictus Ensemble, Martyn Brabbins, Claire Booth, Gordon Gietz, Matthew Best, Dale Duesing, Rebecca De Pont Davies, Richard Agnes, Johan Leysen, Catherine ten Bruggencate, Bracha van Doesburgh & Charles van Tassel
Wagner Dream, Scene 6: Om Om Om Sarwa Buddha Dakiniye
Don Giovanni, K. 527, Act 1:
Don Giovanni, K. 527, Act 1: "Tra quest'arbori celata"
Wintermärchen (Le conte d'hiver): Scene 3 -
Wintermärchen (Le conte d'hiver): Scene 3 - "Arme Königin" (Paulina, Green, Hofdamen, Hofherren, Hermione, Leontes, Orakel)
Wintermärchen (Le conte d'hiver): Zu kalt, zu kalt (Hermione, Leontes, Gree, Polixenes) Susan Chilcott, Dale Duesing, Heinz Zednik, Anthony Rolfe Johnson, L’Orchestre Symphonique de la Monnaie & Antonio Pappano
Wintermärchen (Le conte d'hiver): Zu kalt, zu kalt (Hermione, Leontes, Gree, Polixenes)
Les Contes d'Hoffmann, Act IV: Jusqu'à là cependant affermis mon courage...Aujourd'hui, aujour'hui les larmes (Giulietta, Hoffmann) Neil Shicoff, Ann Murray, Jessye Norman, Luciana Serra, Rosalind Plowright, Sylvain Cambreling, Dale Duesing, Jocelyn Taillon, Thierry Dran, Orchestre Symphonique Et Choeurs De L'Opéra National Du Théâtre Royal De La Monnaie (Brüssel), Gunter Wagner & Robert Tear
Les Contes d'Hoffmann, Act IV: Jusqu'à là cependant affermis mon courage...Aujourd'hui, aujour'hui les larmes (Giulietta, Hoffmann)
Wagner Dream, Scene 1: What's the Matter? Ictus Ensemble, Martyn Brabbins, Claire Booth, Gordon Gietz, Matthew Best, Dale Duesing, Rebecca De Pont Davies, Richard Agnes, Johan Leysen, Catherine ten Bruggencate, Bracha van Doesburgh & Charles van Tassel
Wagner Dream, Scene 1: What's the Matter?
Der Barbier Von Bagdad (The Barber of Bagdad): Act I: So Schwarmet Jugend, Achtet Nicht Gefahr (Abul) Hans Sotin, Marga Schiml, Helen Donath, Dale Duesing, West German Radio Chorus, Ferdinand Leitner, West German Radio Symphony Orchestra, Fritz Peter, Horst R. Laubenthal, Rolf Dieter Krull, Anton Maxen, Ferdinand Schnelle & Andre Peysang
Der Barbier Von Bagdad (The Barber of Bagdad): Act I: So Schwarmet Jugend, Achtet Nicht Gefahr (Abul)
Ii. Lieth Girl, Brown Girl Dale Duesing, Sarah Reese, Chicago Symphony Orchestra, Chorus & Andrew Schenck
Ii. Lieth Girl, Brown Girl
Waiting for Miss Monroe, Act I (Workday): Interlude I Netherlands Chamber Orchestra, Steven Sloane & Dale Duesing
Waiting for Miss Monroe, Act I (Workday): Interlude I
Waiting for Miss Monroe, Act III (Deathday): Interlude II Netherlands Chamber Orchestra, Steven Sloane & Dale Duesing
Waiting for Miss Monroe, Act III (Deathday): Interlude II
Wintermärchen (Le conte d'hiver): Hoheit, Hoheit bitte (Gefolgsmänner, Antigonus, Leontes) Juha Kotilainen, Dale Duesing, L’Orchestre Symphonique de la Monnaie, Antonio Pappano, Choeur De La Monnaie & Renato Balsadonna
Wintermärchen (Le conte d'hiver): Hoheit, Hoheit bitte (Gefolgsmänner, Antigonus, Leontes)
Der Barbier Von Bagdad (The Barber of Bagdad): Act I: Ach, Das Leid Hab' Ich Getragen (Nureddin) Hans Sotin, Marga Schiml, Helen Donath, Dale Duesing, West German Radio Chorus, Ferdinand Leitner, West German Radio Symphony Orchestra, Fritz Peter, Horst R. Laubenthal, Rolf Dieter Krull, Anton Maxen, Ferdinand Schnelle & Andre Peysang
Der Barbier Von Bagdad (The Barber of Bagdad): Act I: Ach, Das Leid Hab' Ich Getragen (Nureddin)
Un Pocomosso (Father In Heaven) Dale Duesing, Sarah Reese, Chicago Symphony Orchestra, Chorus & Andrew Schenck
Un Pocomosso (Father In Heaven)
Don Giovanni, K. 527, Act 2:
Don Giovanni, K. 527, Act 2: "Ferma, perfido; ferma"
Wintermärchen (Le conte d'hiver): Was macht der König (Polixenes, Leontes, Hermione) Anthony Rolfe Johnson, Dale Duesing, Susan Chilcott, L’Orchestre Symphonique de la Monnaie & Antonio Pappano
Wintermärchen (Le conte d'hiver): Was macht der König (Polixenes, Leontes, Hermione)
Wintermärchen (Le conte d'hiver): Beginning -
Wintermärchen (Le conte d'hiver): Beginning - "Für den Winter" (Green, Leontes, Polixenes)
Grave And Remote (O Thous Who Art Unchangeable) Dale Duesing, Sarah Reese, Chicago Symphony Orchestra, Chorus & Andrew Schenck
Grave And Remote (O Thous Who Art Unchangeable)
Waiting for Miss Monroe, Act I (Workday): Don’t Give In To Your Fear Netherlands Chamber Orchestra, Steven Sloane, Helena Rasker, David DQ Lee & Dale Duesing
Waiting for Miss Monroe, Act I (Workday): Don’t Give In To Your Fear
Waiting for Miss Monroe, Act I (Workday): Action! Netherlands Chamber Orchestra, Steven Sloane, Laura Aikin, Dale Duesing & David DQ Lee
Waiting for Miss Monroe, Act I (Workday): Action!
Arias and Barcarolles (arr. Bright Sheng for mezzo-soprano, baritone, strings and percussion): No. 1. Prelude Gerard Schwarz, Seattle Symphony, Jane Bunnell & Dale Duesing
Arias and Barcarolles (arr. Bright Sheng for mezzo-soprano, baritone, strings and percussion): No. 1. Prelude
Der Barbier Von Bagdad (The Barber of Bagdad): Act II: Wo Ist Er Hin? (Abul, Bostana) Hans Sotin, Marga Schiml, Helen Donath, Dale Duesing, West German Radio Chorus, Ferdinand Leitner, West German Radio Symphony Orchestra, Fritz Peter, Horst R. Laubenthal, Rolf Dieter Krull, Anton Maxen, Ferdinand Schnelle & Andre Peysang
Der Barbier Von Bagdad (The Barber of Bagdad): Act II: Wo Ist Er Hin? (Abul, Bostana)
Viii. Tonight I Can Write Dale Duesing, Sarah Reese, Chicago Symphony Orchestra, Chorus & Andrew Schenck
Viii. Tonight I Can Write
Iii. In The Hot Depth Of This Summer Dale Duesing, Sarah Reese, Chicago Symphony Orchestra, Chorus & Andrew Schenck
Iii. In The Hot Depth Of This Summer
Wintermärchen (Le conte d'hiver): Scene 2 -
Wintermärchen (Le conte d'hiver): Scene 2 - "Mein armer Bub" (Leontes, Antigonus, Paulina, Gefolgsmänenr)
Arias and Barcarolles (arr. Bright Sheng for mezzo-soprano, baritone, strings and percussion): No. 6. Oif Mayn Khas'ne (At My Wedding) Gerard Schwarz, Seattle Symphony, Jane Bunnell & Dale Duesing
Arias and Barcarolles (arr. Bright Sheng for mezzo-soprano, baritone, strings and percussion): No. 6. Oif Mayn Khas'ne (At My Wedding)
Der Barbier von Bagdad (the Barber of Bagdad): Act II: Wo ist er hin? (Abul, Bostana) Ferdinand Leitner, Horst R. Laubenthal, Rolf Dieter Krull, West German Radio Chorus, Anton Maxen, West German Radio Symphony Orchestra, Helen Donath, Andre Peysang, Fritz Peter, Ferdinand Schnelle, Marga Schiml, Dale Duesing & Hans Sotin
Der Barbier von Bagdad (the Barber of Bagdad): Act II: Wo ist er hin? (Abul, Bostana)
Reigen: Scene IX L’Orchestre Symphonique de la Monnaie, Françoise Pollet, Dale Duesing & Sylvain Cambreling
Reigen: Scene IX
Wagner Dream: Interlude Ictus Ensemble, Martyn Brabbins, Claire Booth, Gordon Gietz, Matthew Best, Dale Duesing, Rebecca De Pont Davies, Richard Agnes, Johan Leysen, Catherine ten Bruggencate, Bracha van Doesburgh & Charles van Tassel
Wagner Dream: Interlude
Der Barbier von Bagdad (the Barber of Bagdad): Act II: Unsel'ger Freund! Und musstest so du enden! (Abul, Cadi) Hans Sotin, Ferdinand Leitner, Horst R. Laubenthal, Rolf Dieter Krull, West German Radio Chorus, Anton Maxen, Dale Duesing, Fritz Peter, Ferdinand Schnelle, Andre Peysang, West German Radio Symphony Orchestra, Helen Donath & Marga Schiml
Der Barbier von Bagdad (the Barber of Bagdad): Act II: Unsel'ger Freund! Und musstest so du enden! (Abul, Cadi)
Don Giovanni, K. 527, Act 1:
Don Giovanni, K. 527, Act 1: "Ho capito, signor sì!"
Der Barbier Von Bagdad (The Barber of Bagdad): Act I: Sei Allahs Frieden Uber Dir, Mein Sohn (Bostana, Nureddin) Hans Sotin, Marga Schiml, Helen Donath, Dale Duesing, West German Radio Chorus, Ferdinand Leitner, West German Radio Symphony Orchestra, Fritz Peter, Horst R. Laubenthal, Rolf Dieter Krull, Anton Maxen, Ferdinand Schnelle & Andre Peysang
Der Barbier Von Bagdad (The Barber of Bagdad): Act I: Sei Allahs Frieden Uber Dir, Mein Sohn (Bostana, Nureddin)
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