Messa Da Requiem: V. Agnus Dei (sop, Mezzo, Chorus) by Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra - Music - Smurbo

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Messa da Requiem: V. Agnus Dei (sop, mezzo, chorus)

Messa da Requiem: V. Agnus Dei (sop, mezzo, chorus)

By Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra Classical 01/01/1998

Audio Preview

More Music from Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra

Messa da Requiem: I. Requiem & Kyrie (quartet, chorus) Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra

Messa da Requiem: I. Requiem & Kyrie (quartet, chorus)

Glagolitic Mass: Intrada Ameral Gunson, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Felicity Palmer, John Mitchinson & Sir Simon Rattle

Glagolitic Mass: Intrada

Messa da Requiem, II. Dies irae: Lacrymosa (quartet, chorus) Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra

Messa da Requiem, II. Dies irae: Lacrymosa (quartet, chorus)

Messa da Requiem, II. Dies irae: Dies irae (chorus) Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra

Messa da Requiem, II. Dies irae: Dies irae (chorus)

The Rape of Lucretia, Op. 37, Act II Scene 1: The prosperity of the Etruscans was due to the richness of their native soil (Lucia, Richard Hickox, City of London Sinfonia, Patricia Rozario, Ameral Gunson, Alastair Miles, Alan Opie, Nigel Robson & Catherine Pierard

The Rape of Lucretia, Op. 37, Act II Scene 1: The prosperity of the Etruscans was due to the richness of their native soil (Lucia,

Peter Grimes, Op. 33, Act II Scene 1: We planned that their lives (Ellen, Rector, Balstrode, Ned, Boles, Auntie, Mrs Sedley, Hobso Richard Hickox, City of London Sinfonia, Janice Watson, John Fryatt, Alan Opie, Roderick Williams, John Graham-Hall & Ameral Gunson

Peter Grimes, Op. 33, Act II Scene 1: We planned that their lives (Ellen, Rector, Balstrode, Ned, Boles, Auntie, Mrs Sedley, Hobso

Glagolitic Mass: Svet (Sanctus) Ameral Gunson, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Felicity Palmer, John Mitchinson & Sir Simon Rattle

Glagolitic Mass: Svet (Sanctus)

Peter Grimes, Op. 33, Act III Scene 2: To those who pass the Borough (Chorus, Swallow, Auntie, Boles) Richard Hickox, City of London Sinfonia, John Connell, Ameral Gunson, John Graham-Hall, London Symphony Chorus & Stephen Westrop

Peter Grimes, Op. 33, Act III Scene 2: To those who pass the Borough (Chorus, Swallow, Auntie, Boles)

Glagolitic Mass: Organ solo (Postlude) Ameral Gunson, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Felicity Palmer, John Mitchinson & Sir Simon Rattle

Glagolitic Mass: Organ solo (Postlude)

Messa da Requiem: Libera me (sop, chorus) Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra

Messa da Requiem: Libera me (sop, chorus)

Glagolitic Mass: Veruju (Credo) Ameral Gunson, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Felicity Palmer, John Mitchinson & Sir Simon Rattle

Glagolitic Mass: Veruju (Credo)

Messa da Requiem: V. Agnus Dei (sop, mezzo, chorus) Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra

Messa da Requiem: V. Agnus Dei (sop, mezzo, chorus)

Gloria Sir David Willcocks, Philharmonia Orchestra, Ameral Gunson, Neil Mackie, Stephen Roberts & The Bach Choir

Gloria

Peter Grimes, Op. 33, Act I Scene 2: Past time to close (Auntie, Balstrode, Mrs Sedley, Boles, Nieces) Richard Hickox, City of London Sinfonia, Ameral Gunson, Alan Opie, Anne Collins, John Graham-Hall, Yvonne Barclay & Pamela Helen Stepen

Peter Grimes, Op. 33, Act I Scene 2: Past time to close (Auntie, Balstrode, Mrs Sedley, Boles, Nieces)

Messa da Requiem, II. Dies irae: Confutatis (bass, chorus) Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra

Messa da Requiem, II. Dies irae: Confutatis (bass, chorus)

The Rape of Lucretia, Op. 37, Act II Scene 2: This dead hand lets fall all that my heart held when full (Collatinus, Junius, Bianc Richard Hickox, City of London Sinfonia, Patricia Rozario, Ameral Gunson, Alastair Miles, Alan Opie, Nigel Robson & Catherine Pierard

The Rape of Lucretia, Op. 37, Act II Scene 2: This dead hand lets fall all that my heart held when full (Collatinus, Junius, Bianc

In the Beginning The Choir of King's College, Cambridge, Sir Stephen Cleobury & Ameral Gunson

In the Beginning

Glagolitic Mass: Uvod (Introduction) Ameral Gunson, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Felicity Palmer, John Mitchinson & Sir Simon Rattle

Glagolitic Mass: Uvod (Introduction)

Messa da Requiem, II. Dies irae: Mors stupebit (bass) Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra

Messa da Requiem, II. Dies irae: Mors stupebit (bass)

The Rape of Lucretia, Op. 37, Act I Scene 2: None of the women move. It is too late for a messenger (Lucretia, Bianca, Lucia, Fema Richard Hickox, City of London Sinfonia, Jean Rigby, Patricia Rozario, Ameral Gunson & Catherine Pierard

The Rape of Lucretia, Op. 37, Act I Scene 2: None of the women move. It is too late for a messenger (Lucretia, Bianca, Lucia, Fema

In the Beginning Sir Stephen Cleobury, Ameral Gunson & The Choir of King's College, Cambridge

In the Beginning

Messa da Requiem, II. Dies irae: Recordare (sop, mezzo) Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra

Messa da Requiem, II. Dies irae: Recordare (sop, mezzo)

Messa da Requiem, II. Dies irae: Tuba mirum (bass, chorus) Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra

Messa da Requiem, II. Dies irae: Tuba mirum (bass, chorus)

The Rape of Lucretia, Op. 37, Act I Scene 2: Their spinning wheel unwinds dreams which desire has spun (Lucretia, Bianca, Lucia, F Richard Hickox, City of London Sinfonia, Jean Rigby, Patricia Rozario, Ameral Gunson & Catherine Pierard

The Rape of Lucretia, Op. 37, Act I Scene 2: Their spinning wheel unwinds dreams which desire has spun (Lucretia, Bianca, Lucia, F

In the Beginning Sir Stephen Cleobury, Ameral Gunson & The Choir of King's College, Cambridge

In the Beginning

Glagolitic Mass: Svet (Sanctus) Ameral Gunson, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Felicity Palmer, John Mitchinson & Sir Simon Rattle

Glagolitic Mass: Svet (Sanctus)

Messa da Requiem: IV. Sanctus (double chorus) Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra

Messa da Requiem: IV. Sanctus (double chorus)

The Rape of Lucretia, Op. 37, Act I Scene 2: None of the women move. It is too late for a messenger (Lucretia, Bianca, Lucia, Fema Richard Hickox, City of London Sinfonia, Jean Rigby, Patricia Rozario, Ameral Gunson & Catherine Pierard

The Rape of Lucretia, Op. 37, Act I Scene 2: None of the women move. It is too late for a messenger (Lucretia, Bianca, Lucia, Fema

The Rape of Lucretia, Op. 37, Act II Scene 2: Hush! Here she comes! (Lucretia, Bianca, Lucia) Richard Hickox, City of London Sinfonia, Patricia Rozario & Ameral Gunson

The Rape of Lucretia, Op. 37, Act II Scene 2: Hush! Here she comes! (Lucretia, Bianca, Lucia)

Peter Grimes, Op. 33, Act III Scene 1: Mr Swallow (Mrs Sedley, Auntie, Swallow, Hobson) Richard Hickox, City of London Sinfonia, Anne Collins, Ameral Gunson, John Connell & Matthew Best

Peter Grimes, Op. 33, Act III Scene 1: Mr Swallow (Mrs Sedley, Auntie, Swallow, Hobson)

Messa da Requiem: II. Quid sum miser Owain Arwel Hughes, Ameral Gunson, Brighton Festival Chorus, Edmund Barham, Elizabeth Connell, Sir John Tomlinson, Laszlo Heltay, Royal Choral Society & Royal Philharmonic Orchestra

Messa da Requiem: II. Quid sum miser

Peter Grimes, Op. 33, Act I Scene 2: Have you heard the cliff is down (Ned, Auntie, Mrs Sedley, Chorus) Richard Hickox, City of London Sinfonia, Roderick Williams, Ameral Gunson, Anne Collins, London Symphony Chorus & Stephen Westrop

Peter Grimes, Op. 33, Act I Scene 2: Have you heard the cliff is down (Ned, Auntie, Mrs Sedley, Chorus)

Messa da Requiem: VI. Lux aeterna (mezzo, tenor, bass) Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra

Messa da Requiem: VI. Lux aeterna (mezzo, tenor, bass)

Messa da Requiem, II. Dies irae: Rex tremendae (quartet, chorus) Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra

Messa da Requiem, II. Dies irae: Rex tremendae (quartet, chorus)

The Rape of Lucretia, Op. 37, Act II Scene 1: The prosperity of the Etruscans was due to the richness of their native soil (Lucia, Richard Hickox, City of London Sinfonia, Jean Rigby, Patricia Rozario, Ameral Gunson & Catherine Pierard

The Rape of Lucretia, Op. 37, Act II Scene 1: The prosperity of the Etruscans was due to the richness of their native soil (Lucia,

Peter Grimes, Op. 33, Act I Scene 2: Loud man (Auntie, Nieces, Mrs Sedley) Richard Hickox, City of London Sinfonia, Ameral Gunson, Anne Collins, Yvonne Barclay & Pamela Helen Stepen

Peter Grimes, Op. 33, Act I Scene 2: Loud man (Auntie, Nieces, Mrs Sedley)

The Rape of Lucretia, Op. 37, Act II Scene 2: O what a lovely day (Lucia, Bianca) Richard Hickox, City of London Sinfonia, Patricia Rozario & Ameral Gunson

The Rape of Lucretia, Op. 37, Act II Scene 2: O what a lovely day (Lucia, Bianca)

Glagolitic Mass: Gospodi pomiluy (Kyrie eleison) Ameral Gunson, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Felicity Palmer, John Mitchinson & Sir Simon Rattle

Glagolitic Mass: Gospodi pomiluy (Kyrie eleison)

Messa da Requiem, III. Offertorio: Hostias (quartet) Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra

Messa da Requiem, III. Offertorio: Hostias (quartet)

The Rape of Lucretia, Op. 37, Act II Scene 2: Flowers bring to ev'ry year the same perfection (Lucretia, Bianca) Richard Hickox, City of London Sinfonia, Jean Rigby & Ameral Gunson

The Rape of Lucretia, Op. 37, Act II Scene 2: Flowers bring to ev'ry year the same perfection (Lucretia, Bianca)

Peter Grimes, Op. 33, Act I Scene 1: Oh, hang at open doors (Balstrode, Auntie, Boles, Chorus) Richard Hickox, City of London Sinfonia, Alan Opie, Ameral Gunson, John Graham-Hall, London Symphony Chorus & Stephen Westrop

Peter Grimes, Op. 33, Act I Scene 1: Oh, hang at open doors (Balstrode, Auntie, Boles, Chorus)

Glagolitic Mass: Slava (Gloria) Ameral Gunson, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Felicity Palmer, John Mitchinson & Sir Simon Rattle

Glagolitic Mass: Slava (Gloria)

Messa da Requiem: II. Quid sum miser Owain Arwel Hughes, Ameral Gunson, Brighton Festival Chorus, Edmund Barham, Elizabeth Connell, Sir John Tomlinson, Laszlo Heltay, Royal Choral Society & Royal Philharmonic Orchestra

Messa da Requiem: II. Quid sum miser

The Rape of Lucretia, Op. 37, Act I Scene 2: Lucretia! (Junius, Lucretia, Bianca, Lucia, Female Chorus) Richard Hickox, City of London Sinfonia, Alan Opie, Jean Rigby, Patricia Rozario & Ameral Gunson

The Rape of Lucretia, Op. 37, Act I Scene 2: Lucretia! (Junius, Lucretia, Bianca, Lucia, Female Chorus)

Messa da Requiem: No. 5, Agnus Dei Owain Arwel Hughes, Ameral Gunson, Elizabeth Connell, Royal Philharmonic Orchestra, Brighton Festival Chorus & Royal Choral Society

Messa da Requiem: No. 5, Agnus Dei

Glagolitic Mass: Uvod (Introduction) Ameral Gunson, City of Birmingham Symphony Chorus, City of Birmingham Symphony Orchestra, Felicity Palmer, John Mitchinson & Sir Simon Rattle

Glagolitic Mass: Uvod (Introduction)

In the Beginning Sir Stephen Cleobury, Ameral Gunson & The Choir of King's College, Cambridge

In the Beginning

The Rape of Lucretia, Op. 37, Act I Scene 2: Listen! I heard a knock. Somebody is at the gate (Lucretia, Bianca, Lucia) Richard Hickox, City of London Sinfonia, Jean Rigby, Patricia Rozario & Ameral Gunson

The Rape of Lucretia, Op. 37, Act I Scene 2: Listen! I heard a knock. Somebody is at the gate (Lucretia, Bianca, Lucia)

Messa da Requiem, II. Dies irae: Quid sum miser (sop, mezzo, tenor) Ameral Gunson, Edmund Barham, Elizabeth Connell, Laszlo Heltay, Owain Arwel Hughes, Royal Choral Society & Royal Philharmonic Orchestra

Messa da Requiem, II. Dies irae: Quid sum miser (sop, mezzo, tenor)

Sancta Susanna, Op. 21 Yan Pascal Tortelier, BBC Philharmonic, Susan Bullock, Della Jones, Ameral Gunson, Maria Treadaway, Mark Rowlinson & Leeds Fesitval Chorus

Sancta Susanna, Op. 21

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