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Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 21 Duetto con coro: Secondate, aurette amiche (Ferrando/Guglielmo/Coro)

Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 21 Duetto con coro: Secondate, aurette amiche (Ferrando/Guglielmo/Coro)

By Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit Classical 12/01/1996
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More Music from Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Begravningskantata for Gustavus III, VB 42: Dygder, snille, borden ara Hillevi Martinpelto, Claes-Hakan Ahnsjo, Christina Hogman, Thomas Lander, Stefan Parkman, Uppsala University Chamber Choir & Drottningholm Baroque Ensemble
Begravningskantata for Gustavus III, VB 42: Dygder, snille, borden ara
Don Carlos: Act V: The Monastery At St. Yuste: Aria: Tu, Che Le Vanita / Francia, Nobile Suol Alberto Hold-Garrido, Hillevi Martinpelto & Royal Court Orchestra
Don Carlos: Act V: The Monastery At St. Yuste: Aria: Tu, Che Le Vanita / Francia, Nobile Suol
Don Carlos: Act II, Scene 2: Outside St. Yeste Monastery Gate: Veil Song: Nel Giardin del Bello Alberto Hold-Garrido, Royal Court Orchestra, Hillevi Martinpelto, Ingrid Tobiasson & Iwa Sorenson
Don Carlos: Act II, Scene 2: Outside St. Yeste Monastery Gate: Veil Song: Nel Giardin del Bello
Così fan tutte, K.588, Act I, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 10 Terzettino: Soave sia il vento (Fiordiligi/Dorabella/Don Alfonso) Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte, K.588, Act I, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 10 Terzettino: Soave sia il vento (Fiordiligi/Dorabella/Don Alfonso)
Don Carlos: Act II, Scene 2: Outside St. Yeste Monastery Gate: Romance: Carlo, Eh' e Sol Il Nostro Amore Alberto Hold-Garrido, Hillevi Martinpelto, Ingrid Tobiasson, Royal Court Orchestra & Peter Mattei
Don Carlos: Act II, Scene 2: Outside St. Yeste Monastery Gate: Romance: Carlo, Eh' e Sol Il Nostro Amore
Don Carlos: Act V: The Monastery At St. Yuste: Ma Lassu Ci Vedremo Alberto Hold-Garrido, Hillevi Martinpelto, Royal Court Orchestra & Lars Cleveman
Don Carlos: Act V: The Monastery At St. Yuste: Ma Lassu Ci Vedremo
Don Carlos: Act IV, Scene 1: The King's Study: Scene: Giustizia, O Sire Alberto Hold-Garrido, Hillevi Martinpelto, Jaako Ryhanen & Royal Court Orchestra
Don Carlos: Act IV, Scene 1: The King's Study: Scene: Giustizia, O Sire
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: No. 17 Aria: Un'aura amorosa del nostro tesoro (Ferrando) Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: No. 17 Aria: Un'aura amorosa del nostro tesoro (Ferrando)
Svenska Massan (Swedish Mass): Ara vare Gud [Glory to God] Anne Sofie von Otter, Hillevi Martinpelto, Anders Öhrwall, Adolf Fredrik Bach Choir & Drottningholm Baroque Ensemble
Svenska Massan (Swedish Mass): Ara vare Gud [Glory to God]
Ch'io mi scordi di te … Non temer, amato bene, K. 505 Hillevi Martinpelto, Bjarte Engeset, Matti Hirvonen & Dalasinfoniettan
Ch'io mi scordi di te … Non temer, amato bene, K. 505
Adriana Lecouvreur, Act I: Io son l'umile ancella Hillevi Martinpelto, Bjarte Engeset, Matti Hirvonen & Dalasinfoniettan
Adriana Lecouvreur, Act I: Io son l'umile ancella
La clemenza di Tito, K. 621:
La clemenza di Tito, K. 621: "Non Più Di Fiori"
Leonore, Op. 72, Act III:
Leonore, Op. 72, Act III: "O Gott! O welch ein Augenblick!"
Leonore, Op. 72, Act II:
Leonore, Op. 72, Act II: "Ach, brich noch nicht, du mattes Herz!" - "Komm Hoffnung, lass den letzten Stern"
La clemenza di Tito, K. 621:
La clemenza di Tito, K. 621: "Tu, È Ver, M'assolvi, Augusto"
Le Nozze Di Figaro, K. 492:
Le Nozze Di Figaro, K. 492: "Voi Signor, Che Giusto Siete"
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 6 Quintetto: Sento, o Dio, che questo piede (Guglielmo/Ferrando/Don Alfonso/Fiordiligi/Dorabella) Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 6 Quintetto: Sento, o Dio, che questo piede (Guglielmo/Ferrando/Don Alfonso/Fiordiligi/Dorabella)
Proserpin, VB 19: Overture Stockholm Chamber Choir, Stockholm Chamber Orchestra, Peter Mattei, Hillevi Martinpelto & Mark Tatlow
Proserpin, VB 19: Overture
Faust: Act II: Aria: Wie dich nennen, seltsam neues Sehnen (Kunigunde) Boje Skovhus, Hillevi Martinpelto, Franz Hawlata, Martina Borst, Stuttgart Sudfunkchor, Klaus Arp, Alfred Reiter, South West German Radio Kaiserslautern Orchestra, Ulrich Wand, Robert Swensen, Rodrigo Orrego, Brigitte Wohlfarth & Christoph Spath
Faust: Act II: Aria: Wie dich nennen, seltsam neues Sehnen (Kunigunde)
Faust: Act I: Aria: Ja, ich fuhl' es, treue Liebe (Kunigunde) Boje Skovhus, Hillevi Martinpelto, Franz Hawlata, Martina Borst, Stuttgart Sudfunkchor, Klaus Arp, Alfred Reiter, South West German Radio Kaiserslautern Orchestra, Ulrich Wand, Robert Swensen, Rodrigo Orrego, Brigitte Wohlfarth & Christoph Spath
Faust: Act I: Aria: Ja, ich fuhl' es, treue Liebe (Kunigunde)
La Wally, Act I: Ebben? Ne andro lontana Hillevi Martinpelto, Bjarte Engeset, Matti Hirvonen & Dalasinfoniettan
La Wally, Act I: Ebben? Ne andro lontana
Mass In B Minor, BWV 232: Domine Deus (Soprano I, Tenor) Christoph Prégardien, Hillevi Martinpelto, René Jacobs & Academy for Ancient Music Berlin
Mass In B Minor, BWV 232: Domine Deus (Soprano I, Tenor)
Mass In B Minor, BWV 232: Christe Eleison (Soprano I and II) Hillevi Martinpelto, Bernarda Fink, René Jacobs & Academy for Ancient Music Berlin
Mass In B Minor, BWV 232: Christe Eleison (Soprano I and II)
Mass in B Minor, BWV 232, Pt. 1: VIII. Duet. Domine Deus (Soprano, Tenor) Hillevi Martinpelto, Akademie für Alte Musik Berlin, René Jacobs & Christoph Prégardien
Mass in B Minor, BWV 232, Pt. 1: VIII. Duet. Domine Deus (Soprano, Tenor)
Mass in B Minor, BWV 232, Pt. 1: II. Duet. Christe eleison (Two Sopranos) Hillevi Martinpelto, Akademie für Alte Musik Berlin, René Jacobs & Bernarda Fink
Mass in B Minor, BWV 232, Pt. 1: II. Duet. Christe eleison (Two Sopranos)
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 21 Duetto con coro: Secondate, aurette amiche (Ferrando/Guglielmo/Coro) Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 21 Duetto con coro: Secondate, aurette amiche (Ferrando/Guglielmo/Coro)
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 4 Duetto: Ah guarda, sorella (Fiordiligi/Dorabella) Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 4 Duetto: Ah guarda, sorella (Fiordiligi/Dorabella)
Svenska Massan (Swedish Mass): O Herre thens aldra hogstes enfodde Son [Son of the Father, the Only Begotten] Anders Öhrwall, Adolf Fredrik Bach Choir, Drottningholm Baroque Ensemble, Anne Sofie von Otter & Hillevi Martinpelto
Svenska Massan (Swedish Mass): O Herre thens aldra hogstes enfodde Son [Son of the Father, the Only Begotten]
Electra, Act I Scene 5: Aria: Ja, veten att Electras hjärta (Electra) Thomas Schuback, Hillevi Martinpelto, Per-Arne Wahlgren & Drottningholm Baroque Ensemble
Electra, Act I Scene 5: Aria: Ja, veten att Electras hjärta (Electra)
Electra, Act I Scene 5: Recitative: Av dessa kedjor stolt Electra är (Electra) Hillevi Martinpelto, Per-Arne Wahlgren, Drottningholm Baroque Ensemble & Thomas Schuback
Electra, Act I Scene 5: Recitative: Av dessa kedjor stolt Electra är (Electra)
Proserpin, VB 19: Overture Stockholm Chamber Orchestra, Mark Tatlow, Anna Eklund-Tarantino, Hillevi Martinpelto, Stockholm Chamber Choir, Jan Stromberg, Susanne Ryden, Peter Mattei, Lars Arvidson, Johan Christensson & Stephen Smith
Proserpin, VB 19: Overture
Mass in B Minor, BWV 232: Christe eleison Akademie für Alte Musik Berlin, René Jacobs, Hillevi Martinpelto & Bernarda Fink
Mass in B Minor, BWV 232: Christe eleison
Mass In B Minor, BWV 232: Et Resurrexit (Soprano I and II, Alto, Tenor, Bass, Chorus) Christoph Prégardien, Hillevi Martinpelto, Franz-Josef Selig, Matthias Goerne, Axel Köhler, Bernarda Fink, René Jacobs, RIAS Chamber Chorus & Academy for Ancient Music Berlin
Mass In B Minor, BWV 232: Et Resurrexit (Soprano I and II, Alto, Tenor, Bass, Chorus)
Mass In B Minor, BWV 232: Et Incarnatus Est (Soprano I and II, Alto, Tenor, Bass) Christoph Prégardien, Hillevi Martinpelto, Franz-Josef Selig, Matthias Goerne, Axel Köhler, Bernarda Fink, René Jacobs & Academy for Ancient Music Berlin
Mass In B Minor, BWV 232: Et Incarnatus Est (Soprano I and II, Alto, Tenor, Bass)
Mass In B Minor, BWV 232: Et In Unum Dominum (Soprano I, Alto) Hillevi Martinpelto, Axel Köhler, René Jacobs & Academy for Ancient Music Berlin
Mass In B Minor, BWV 232: Et In Unum Dominum (Soprano I, Alto)
Un Ballo in Maschera, Act III, Scene 10: Saper Vorreste Di Che Si Veste (Oscar, Ankastrom) Susanne Resmark, Hillevi Martinpelto, Carolina Sandgren, Maurizio Barbacini, Tomas Lind, Krister St. Hill, Jonas Landström, Ake Zetterstrom, Mats Almgren, Ulf Glemme, Joel Rosenlund, Mikael Simlund, Harald Tjelle, Tore Sverredal, Gothenburg Opera House Chorus & Gothenburg Opera House Orchestra
Un Ballo in Maschera, Act III, Scene 10: Saper Vorreste Di Che Si Veste (Oscar, Ankastrom)
Don Carlos: Act V: The Monastery At St. Yuste: Finale: Si, Per Sempre / Il Duolo Della Terra Alberto Hold-Garrido, Jaako Ryhanen, Royal Court Orchestra, Bengt Rundgren, Hillevi Martinpelto & Martti Wallen
Don Carlos: Act V: The Monastery At St. Yuste: Finale: Si, Per Sempre / Il Duolo Della Terra
Idomeneo, re di Creta, K. 366:
Idomeneo, re di Creta, K. 366: "Dunque Io Me N'andrò" - "Andrò Ramingo e Solo" (Idamante, Ilia, Idomeneo, Elettra)
Idomeneo, Re di Creta, K. 366, Act 3:
Idomeneo, Re di Creta, K. 366, Act 3: "Oh ciel pietoso!"-"Oh smania! oh furie!"-"D'Oreste, d'Aiace (Idomeneo: Idamante: Ilia, Arbace, Elettra)
Idomeneo, Re di Creta, K. 366, Act 1:
Idomeneo, Re di Creta, K. 366, Act 1: "Godiam la pace" - "Prence, signor" - "Ma quel pianto" - "Estinto è Idomeneo?" - "Tutte nel cor vi sento" - "Pietà! Numi, pietà!" - "Eccoci salvi alfin" - "Oh voi"
Idomeneo, Re di Creta, K. 366 / AppendIX. Act 3, scena 10: Ferma, oh sire, che fai? Sylvia McNair, Anthony Rolfe Johnson, Anne Sofie von Otter, Glenn Winslade, Hillevi Martinpelto, English Baroque Soloists & John Eliot Gardiner
Idomeneo, Re di Creta, K. 366 / AppendIX. Act 3, scena 10: Ferma, oh sire, che fai?
Idomeneo, Re di Creta, K. 366, Act 3:
Idomeneo, Re di Creta, K. 366, Act 3: "Principessa, a' tuoi sguardi" - "S'io non moro a questi accenti" - "Cieli! che vedo?"
Idomeneo, Re di Creta, K. 366, Act 2:
Idomeneo, Re di Creta, K. 366, Act 2: "Odo da lunge armonioso suono"
Le Nozze Di Figaro, K. 492:
Le Nozze Di Figaro, K. 492: "Che Soave Zeffiretto"
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: No. 30 Andante: Tutti, accusan le donne (Don Alfonso/Ferrando/Guglielmo) Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: No. 30 Andante: Tutti, accusan le donne (Don Alfonso/Ferrando/Guglielmo)
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 24 Rondò: Per pietà, ben mio, perdona (Fiordiligi) Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 24 Rondò: Per pietà, ben mio, perdona (Fiordiligi)
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 24 Aria: Ah, lo veggio: quell'anima bella (Ferrando) Hillevi Martinpelto, Alison Hagley, Gerald Finley, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 24 Aria: Ah, lo veggio: quell'anima bella (Ferrando)
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 23 Duetto: Il core vi domo (Guglielmo/Dorabella) Hillevi Martinpelto, Alison Hagley, Gerald Finley, Kurt Streit, Ann Murray, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment & Sir Simon Rattle
Così fan tutte K588, ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 23 Duetto: Il core vi domo (Guglielmo/Dorabella)
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: No. 13 Sestetto: Alla bella Despinetta (Don Alfonso/Ferrando/Guglielmo/Despina/Fiordiligi/Dorabella) Gerald Finley, Ann Murray, Hillevi Martinpelto, Alison Hagley, Sir Thomas Allen, Choir of the Age of Enlightenment, Orchestra of the Age of Enlightenment, Sir Simon Rattle & Kurt Streit
Così fan tutte K588, ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: No. 13 Sestetto: Alla bella Despinetta (Don Alfonso/Ferrando/Guglielmo/Despina/Fiordiligi/Dorabella)
Die Auferstehung und Himmelfahrt Jesu, Wq. 240, Pt. 1: No. 7, Arie.
Die Auferstehung und Himmelfahrt Jesu, Wq. 240, Pt. 1: No. 7, Arie. "Wie bang hat dich mein Lied beweint!"
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