Shopping cart
Your cart empty!
Terms of use dolor sit amet consectetur, adipisicing elit. Recusandae provident ullam aperiam quo ad non corrupti sit vel quam repellat ipsa quod sed, repellendus adipisci, ducimus ea modi odio assumenda.
Lorem ipsum dolor sit amet consectetur adipisicing elit. Sequi, cum esse possimus officiis amet ea voluptatibus libero! Dolorum assumenda esse, deserunt ipsum ad iusto! Praesentium error nobis tenetur at, quis nostrum facere excepturi architecto totam.
Lorem ipsum dolor sit amet consectetur adipisicing elit. Inventore, soluta alias eaque modi ipsum sint iusto fugiat vero velit rerum.
Sequi, cum esse possimus officiis amet ea voluptatibus libero! Dolorum assumenda esse, deserunt ipsum ad iusto! Praesentium error nobis tenetur at, quis nostrum facere excepturi architecto totam.
Lorem ipsum dolor sit amet consectetur adipisicing elit. Inventore, soluta alias eaque modi ipsum sint iusto fugiat vero velit rerum.
Dolor sit amet consectetur adipisicing elit. Sequi, cum esse possimus officiis amet ea voluptatibus libero! Dolorum assumenda esse, deserunt ipsum ad iusto! Praesentium error nobis tenetur at, quis nostrum facere excepturi architecto totam.
Lorem ipsum dolor sit amet consectetur adipisicing elit. Inventore, soluta alias eaque modi ipsum sint iusto fugiat vero velit rerum.
Sit amet consectetur adipisicing elit. Sequi, cum esse possimus officiis amet ea voluptatibus libero! Dolorum assumenda esse, deserunt ipsum ad iusto! Praesentium error nobis tenetur at, quis nostrum facere excepturi architecto totam.
Lorem ipsum dolor sit amet consectetur adipisicing elit. Inventore, soluta alias eaque modi ipsum sint iusto fugiat vero velit rerum.
Do you agree to our terms? Sign up
The Violent Bear It Away (1960) O’Connor’s second and final novel is a Southern Gothic tale about prophecy, freedom, and grace. Francis Marion Tarwater, a 14-year-old orphan, has been raised in isolation by his great-uncle Mason, a self-proclaimed prophet who insists the boy is destined to follow his calling and baptize his young cousin, Bishop. After Mason dies, Tarwater tries to escape both the literal backwoods and the spiritual destiny imposed on him. He goes to live with his skeptical, urbane uncle Rayber, who embodies rationalism and rejects religion. Torn between Mason’s fierce vision and Rayber’s cold reason, Tarwater struggles with voices of temptation and with his own violent impulses. In a shocking climax, Tarwater drowns Bishop, an act that becomes both murder and baptism. The novel closes ambiguously as Tarwater sets out to preach, suggesting grace can work through even sin and resistance. O’Connor explores faith’s inevitability and the mystery of divine calling.
Comments