Blood Wedding (1933) is one of Federico García Lorca's most celebrated tragedies, blending poetic symbolism with the stark realities of passion, honor, and fate in rural Spain. The play begins with the preparations for a wedding between a young Bridegroom and his Bride, a union that promises stability and social harmony. Yet, beneath the surface, unresolved tensions stir: the Bride is secretly drawn to Leonardo, a married man from a family long in conflict with the Bridegroom's.

As the wedding day approaches, the weight of tradition and societal expectations presses on the characters. Lorca sets the drama against the backdrop of a rigid, honor-bound rural community, where personal desire clashes with family duty and communal judgment. The Bride's inner turmoil becomes increasingly evident, torn between the safety of marriage and the consuming passion she feels for Leonardo.

The climax unfolds after the wedding ceremony, when the Bride and Leonardo flee into the night. Pursued by the betrayed Bridegroom, the chase culminates in a fatal confrontation. Both men kill each other, leaving the Bride to face the consequences of her choices. The play closes on a somber note, with themes of blood, death, and inevitability underscoring Lorca's vision of human desire crushed by tradition and destiny.

Federico García Lorca (1898–1936) was a Spanish poet and playwright associated with the Generation of '27. His works, including Blood Wedding, Yerma, and The House of Bernarda Alba, are noted for their fusion of folklore, lyrical imagery, and exploration of universal themes such as passion, repression, and the tragic power of fate. Lorca's art continues to resonate for its emotional depth and social critique, even as his life was tragically cut short during the Spanish Civil War.