Search

Select theme:

Shopping cart

Subtotal
$97.00
View cart Checkout

Saved articles

You have not yet added any article to your bookmarks!

Browse articles
Newsletter image

Subscribe to the Newsletter

Join 10k+ people to get notified about new posts, news and tips.

Do not worry we don't spam!

GDPR Compliance

We use cookies to ensure you get the best experience on our website. By continuing to use our site, you accept our use of cookies, Privacy Policy, and Terms of Service.

  • Home
A Spring Symphony Op. 44: Introduction: Shine out (Anon. 16th century)

A Spring Symphony Op. 44: Introduction: Shine out (Anon. 16th century)

By Sheila Armstrong, Dame Janet Baker, St. Clement Danes School Boys' Choir, London Symphony Orchestra, André Previn & London Symphony Chorus Classical 01/01/1986
Audio Preview
More Music from Sheila Armstrong, Dame Janet Baker, St. Clement Danes School Boys' Choir, London Symphony Orchestra, André Previn & London Symphony Chorus
Dona nobis pacem: VI. 'O man greatly beloved' London Philharmonic Orchestra, London Philharmonic Choir, John Carol Case, Sir Adrian Boult, Sheila Armstrong & John Alldis
Dona nobis pacem: VI. 'O man greatly beloved'
Dona nobis pacem: II. 'Beat! beat! drums!' (Allegro moderato) - London Philharmonic Orchestra, London Philharmonic Choir, John Carol Case, Sir Adrian Boult, Sheila Armstrong & John Alldis
Dona nobis pacem: II. 'Beat! beat! drums!' (Allegro moderato) -
Carmina Burana, Pt. 3, Cour d'amours: In trutina André Previn, London Symphony Orchestra & Sheila Armstrong
Carmina Burana, Pt. 3, Cour d'amours: In trutina
Dona nobis pacem: III. Reconciliation (Andantino) - London Philharmonic Orchestra, London Philharmonic Choir, John Carol Case, Sir Adrian Boult, Sheila Armstrong & John Alldis
Dona nobis pacem: III. Reconciliation (Andantino) -
Dona nobis pacem: I. 'Agnus Dei' (Lento) - London Philharmonic Orchestra, London Philharmonic Choir, John Carol Case, Sir Adrian Boult, Sheila Armstrong & John Alldis
Dona nobis pacem: I. 'Agnus Dei' (Lento) -
Symphony No. 2 in C Minor
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht
Requiem in D Minor, Op. 48: IV. Pie Jesu (Adagio) Sheila Armstrong, Daniel Barenboim, Henriette Puig-Roget & Orchestre De Paris
Requiem in D Minor, Op. 48: IV. Pie Jesu (Adagio)
Carmina Burana, Pt. 3, Cour d'amours: Tempus est iocundum Sir Thomas Allen, St. Clement Danes Grammar School Boys' Choir, London Symphony Chorus, André Previn, London Symphony Orchestra & Sheila Armstrong
Carmina Burana, Pt. 3, Cour d'amours: Tempus est iocundum
Dona nobis pacem: V. 'The Angel of Death has been abroad' (L'istesso tempo) - London Philharmonic Orchestra, London Philharmonic Choir, John Carol Case, Sir Adrian Boult, Sheila Armstrong & John Alldis
Dona nobis pacem: V. 'The Angel of Death has been abroad' (L'istesso tempo) -
Spring Symphony, Op. 44, Pt. 1: III. Spring, the Sweet Spring London Symphony Chorus, André Previn, Dame Janet Baker, London Symphony Orchestra, Sheila Armstrong & Robert Tear
Spring Symphony, Op. 44, Pt. 1: III. Spring, the Sweet Spring
Cantata No. 89 Was Soll Ich Aus Dir Machen, Ephraim?, BWV 89: V. Aria -
Cantata No. 89 Was Soll Ich Aus Dir Machen, Ephraim?, BWV 89: V. Aria - "Gerechter Gott, Ach, Rechnest Du?" [Soprano]
Carmina Burana, Pt. 3, Cour d'amours: Dulcissime André Previn, London Symphony Orchestra & Sheila Armstrong
Carmina Burana, Pt. 3, Cour d'amours: Dulcissime
Lasst uns sorgen, lasst uns wachen, BWV 213: Aria: Treues Echo dieser Orten (Alto) Hertha Töpper, Stuttgart Figuralchor der Gedachtniskirche, Helmuth Rilling, Theo Altmeyer, Jakob Stampfli, Stuttgart Bach Collegium & Sheila Armstrong
Lasst uns sorgen, lasst uns wachen, BWV 213: Aria: Treues Echo dieser Orten (Alto)
Les nuits d'été, Op. 7: VI. L'île inconnue Sheila Armstrong, London Symphony Orchestra & Sir Colin Davis
Les nuits d'été, Op. 7: VI. L'île inconnue
Les nuits d'été, Op. 7: IV. Absence Sheila Armstrong, London Symphony Orchestra & Sir Colin Davis
Les nuits d'été, Op. 7: IV. Absence
Carmina Burana, Pt. 3, Cour d'amours: Dulcissime André Previn, London Symphony Orchestra & Sheila Armstrong
Carmina Burana, Pt. 3, Cour d'amours: Dulcissime
Carmina Burana, Pt. 3, Cour d'amours: Amor volat undique St. Clement Danes Grammar School Boys' Choir, André Previn, London Symphony Orchestra & Sheila Armstrong
Carmina Burana, Pt. 3, Cour d'amours: Amor volat undique
Spring Symphony, Op. 44, Pt. 4: XII. Finale. London, to Thee I Do Present St. Clement Danes School Boys' Choir, London Symphony Chorus, André Previn, Dame Janet Baker, London Symphony Orchestra, Sheila Armstrong & Robert Tear
Spring Symphony, Op. 44, Pt. 4: XII. Finale. London, to Thee I Do Present
The Coal Owner and the Pitman’s Wife Sir Thomas Allen, Sheila Armstrong, David Haslam & The Northumbria Concert Orchestra and Chorus
The Coal Owner and the Pitman’s Wife
Magnificat, D. 486 Alejandro Ramirez, Hanna Schaer, Orchestre de Chambre de Lausanne, Lausanne Vocal Ensemble, Michel Corboz, Philippe Corboz, Philippe Huttenlocher & Sheila Armstrong
Magnificat, D. 486
Stabat Mater, D. 383: II.
Stabat Mater, D. 383: II. "Bei des Mittlers Kreuze standen bang"
Lasst uns sorgen, lasst uns wachen, BWV 213: Aria: Ich will dich nicht horen (Alto) Theo Altmeyer, Hertha Töpper, Stuttgart Figuralchor der Gedachtniskirche, Jakob Stampfli, Sheila Armstrong, Stuttgart Bach Collegium & Helmuth Rilling
Lasst uns sorgen, lasst uns wachen, BWV 213: Aria: Ich will dich nicht horen (Alto)
Lasst uns sorgen, lasst uns wachen, BWV 213: Aria: Auf meinen Flugeln sollst du schweben (Tenor) Theo Altmeyer, Hertha Töpper, Stuttgart Figuralchor der Gedachtniskirche, Helmuth Rilling, Jakob Stampfli, Stuttgart Bach Collegium & Sheila Armstrong
Lasst uns sorgen, lasst uns wachen, BWV 213: Aria: Auf meinen Flugeln sollst du schweben (Tenor)
Messiah - Pt. 3:
Messiah - Pt. 3: "I know that my Redeemer liveth"
Messiah - Pt. 1:
Messiah - Pt. 1: "Then shall the eyes of the blind be opened . He shall feed his flock"
Vattene pur, crudel - (T. Tasso, Gerusalemme liberata, Canto XVI)/Madrigali a 5 voci (Book III): Pt. I:
Vattene pur, crudel - (T. Tasso, Gerusalemme liberata, Canto XVI)/Madrigali a 5 voci (Book III): Pt. I: "Vattene pur, crudel" - Pt. II: "Là tra'l sangu' e le morti" - Pt. III: "Poi ch'ella in sè tornò"
The Bells, Op. 35: I. Allegro ma non tanto André Previn, London Symphony Orchestra, John Shirley-Quirk, London Symphony Chorus, Robert Tear & Sheila Armstrong
The Bells, Op. 35: I. Allegro ma non tanto
Come dolce hoggi l'auretta - Madrigali, Canzonette e Scherzi musicali (Book IX) Sheila Armstrong, Alfreda Hodgson, Helen Watts, Joy Hall & Raymond Leppard
Come dolce hoggi l'auretta - Madrigali, Canzonette e Scherzi musicali (Book IX)
The Bells, Op. 35: IV. Lento lugubre André Previn, London Symphony Orchestra, John Shirley-Quirk, London Symphony Chorus, Robert Tear & Sheila Armstrong
The Bells, Op. 35: IV. Lento lugubre
The Pilgrim's Progress, Act IV, Scene 2: The Delectable Mountains.
The Pilgrim's Progress, Act IV, Scene 2: The Delectable Mountains. "The Lord Is My Shepherd" (Voice of a Bird, Pilgrim, Shepherds, Messenger)
Lasst uns sorgen, lasst uns wachen, BWV 213: Recitative: Auf! folge meiner Bahn (Soprano, Tenor) Theo Altmeyer, Sheila Armstrong, Stuttgart Figuralchor der Gedachtniskirche, Helmuth Rilling, Stuttgart Bach Collegium, Jakob Stampfli & Hertha Töpper
Lasst uns sorgen, lasst uns wachen, BWV 213: Recitative: Auf! folge meiner Bahn (Soprano, Tenor)
Symphony No. 1
Symphony No. 1 "A Sea Symphony": IV. (g) The Explorers. "O My Brave Soul"
Ach Gott, wie manches Herzeleid, Cantata BWV 58: 3.
Ach Gott, wie manches Herzeleid, Cantata BWV 58: 3. "Ich bin vergnügt in meinem Leiden"
O come è gran martire - (G.B. Guarini)/Madrigali a 5 voci (Book III) Sheila Armstrong, Wendy Eathorne, Lillian Watson, Alfreda Hodgson, Anne Collins, Gerald English, Ian Partridge, Stafford Dean, Christopher Keyte, Members of the Glyndebourne Opera Chorus & Raymond Leppard
O come è gran martire - (G.B. Guarini)/Madrigali a 5 voci (Book III)
The Pilgrim's Progress, Act I, Scene 2: The House Beautiful Sir Adrian Boult, Sheila Armstrong, Marie Hayward, Gloria Jennings, London Philharmonic Choir, London Philharmonic Orchestra, John Noble & Ian Partridge
The Pilgrim's Progress, Act I, Scene 2: The House Beautiful
Cantata No. 89 Was Soll Ich Aus Dir Machen, Ephraim?, BWV 89: IV. Recitative -
Cantata No. 89 Was Soll Ich Aus Dir Machen, Ephraim?, BWV 89: IV. Recitative - "Wohlan! Mein Herze Legt Zorn" [Soprano]
The Cliffs of Old Tynemouth Sheila Armstrong, David Haslam & The Northumbrian Concert Orchestra
The Cliffs of Old Tynemouth
A Spring Symphony Op. 44: Spring, the sweet Spring (T Nashe) Sheila Armstrong, Dame Janet Baker, St. Clement Danes School Boys' Choir, London Symphony Orchestra, André Previn & London Symphony Chorus
A Spring Symphony Op. 44: Spring, the sweet Spring (T Nashe)
Bobby Shaftoe Sheila Armstrong, David Haslam & Northern Sinfonia
Bobby Shaftoe
Symphony No. 1
Symphony No. 1 "A Sea Symphony": IV. (c) The Explorers. "O We Can Wait No Longer"
Carmina Burana, Pt. 3, Cour d'amours: Stetit puella André Previn, London Symphony Orchestra & Sheila Armstrong
Carmina Burana, Pt. 3, Cour d'amours: Stetit puella
Quel sguardo sdegnosetto - Madrigali, Canzonette e Scherzi musicali (Book X) Sheila Armstrong, Joy Hall & Raymond Leppard
Quel sguardo sdegnosetto - Madrigali, Canzonette e Scherzi musicali (Book X)
Water of Tyne Sir Thomas Allen, Sheila Armstrong, David Haslam, Northern Sinfonia & Northern Sinfonia Chorus
Water of Tyne
Sovra tenere herbette - Madrigali a 5 voci (Book III) Sheila Armstrong, Wendy Eathorne, Lillian Watson, Alfreda Hodgson, Anne Collins, Gerald English, Ian Partridge, Stafford Dean, Christopher Keyte, Members of the Glyndebourne Opera Chorus & Raymond Leppard
Sovra tenere herbette - Madrigali a 5 voci (Book III)
Symphony No. 9 in D Minor, Op. 125
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (c) Allegro assai. "Freude, Freude!" -
Symphony No. 7
Symphony No. 7 "Sinfonia Antartica": I. Prelude. Andante maestoso
Il quarto libro de madrigali (1603): Longe da te cor mio Sheila Armstrong, Wendy Eathorne, Lillian Watson, Alfreda Hodgson, Helen Watts, Bernard Dickerson, Robert Tear, Stafford Dean, Christopher Keyte, Members of the Glyndebourne Opera Chorus & Raymond Leppard
Il quarto libro de madrigali (1603): Longe da te cor mio
The Bells, Op. 35: III. Presto André Previn, London Symphony Orchestra, John Shirley-Quirk, London Symphony Chorus, Robert Tear & Sheila Armstrong
The Bells, Op. 35: III. Presto
Elsie Marley Sir Thomas Allen, Sheila Armstrong, David Haslam & Northern Sinfonia
Elsie Marley
Children’s Song Sir Thomas Allen, Sheila Armstrong, David Haslam, Northern Sinfonia & Northern Sinfonia Chorus
Children’s Song
Comments