Classics - Movies

Come Blow Your Horn

Classics

Frank Sinatra plays the free-swinging playboy Alan Baker, who introduces his hero-worshipping younger brother Buddy (Tony Bill) to the delights of high living in this adaption of Neil Simon's Broadway comedy about a Jewish family in New York City.

The Devil and Daniel Webster

Classics

Jabez Stone is a hard-working farmer trying to make an honest living, but a streak of bad luck tempts him to do the unthinkable: bargain with the Devil himself. For seven years of good fortune, Stone promises “Mr. Scratch” his soul when the contract ends. When the troubled farmer begins to realize the error of his choice, he enlists the aid of the one man who might save him: the legendary orator and politician Daniel Webster. Directed with stylish flair by William Dieterle, The Devil and Daniel Webster brings the classic short story by Stephen Vincent Benét to life with inspired visuals, an unforgettable Oscar-winning score by Bernard Herrmann, and a truly diabolical performance from Walter Huston.

Sophie's Choice

Classics

Screen favorite Meryl Streep received an Academy Award® for her portrayal of Sophie Zawistowska in this penetrating drama set in post-World War II Brooklyn. Kevin Kline plays her all-consuming lover, Nathan. The story revolves around Sophie's struggle as a Polish-Catholic immigrant in the United States who had survived a Nazi concentration camp. The lovers' drama unfolds through the observations of a friend and would-be writer, Stingo (Peter MacNicol). As the trio grows closer, Stingo uncovers the hidden truths that they each harbor, resulting in “a fine, absorbing, wonderfully acted, heartbreaking movie” (Roger Ebert).

Farewell, My Lovely

Classics

No one is a saint in the City of Angels. The immortal Robert Mitchum stars as Raymond Chandler's legendary detective Philip Marlowe in the neo-noir mystery, Farewell, My Lovely. The hardboiled Marlowe's latest cases– one, a search for an ex-convict's lost love, and the other, the murder of a client – take on an even more sinister turn when they begin to connect, leading the private eye deeper and deeper into the seamy underbelly of 1940s Los Angeles. As the stakes are raised and the body count swells, it looks like Marlowe might be next on the list to take the big sleep.

Don't Give Up the Ship

Classics

Newly wedded Lt. John Stekler (Jerry Lewis) finds himself up to his neck in hot water and his honeymoon sunk when the Navy discovers – years after the fact – that Stekler was last responsible for the missing $5 million USS Komblatt. Pressure is mounting on all sides. With the help of Miss Benson, a sexy, blond ensign, Stekler casts off on his search, leaving in his wake his frustrated, lovely bride and his sputtering, suspicious, foot-stomping mother-in-law. Can Lt. John Stekler find the ship and give it up before he loses his mind, his spouse and his freedom?

March of the Wooden Soldiers (Babes in Toyland)

Classics

Imagine a fantasy world of timeless characters and magical moments where nothing goes right for clumsy toymakers Stannie Dum and Ollie Dee. When a notorious scoundrel, Barnaby, demands to marry the beautiful Little Bo Peep, guess who secretly emerges as the blushing bride? Based on the original Babes in Toyland, this movie is a dazzling spectacle of 6-foot wooden soldiers, Mother Goose characters and the beloved team of Laurel and Hardy.

Driftwood

Classics

Martin Scorsese Presents REPUBLIC REDISCOVERED—over 20 rarely seen films from the storied Republic Pictures library, restored and remastered by Paramount and personally curated by Martin Scorsese. In Driftwood young Natalie Wood stars as an orphan who helps a doctor (Dean Jagger) fight an epidemic in a small western town, in one of Allan Dwan’s closely observed studies in Americana.

Riot In Cell Block 11

Classics

Enraged over horrendous living conditions, prisoners in a maximum-security institution riot, and take several security officers hostage. With 4,000 men on the rampage, the news media are cleverly manipulated for leverage. Based upon the actual experiences of producer/ex-con Walter Wanger, and filmed at Folsom Prison.

The Flame

Classics

Martin Scorsese Presents REPUBLIC REDISCOVERED—over 20 rarely seen films from the storied Republic Pictures library, restored and remastered by Paramount and personally curated by Martin Scorsese. In The Flame a man constantly jealous of his half-brother tries to con him by concocting a gold digging scheme with his girlfriend, only to have her actually fall in love with their mark.

Wings

Classics

Wings is the first film to win the Academy Award® for Best Picture. Featuring a meticulous restoration and a newly recorded soundtrack based on the original score. This timeless story of love and loss follows two men who go to war and the girl they leave behind. Popular Twenties “It” girl Clara Bow stars with Richard Arlen, Charles “Buddy” Rogers and Gary Cooper in a legendary cameo appearance.

Who's Minding the Store

Classics

This frantic comedy finds Raymond (Jerry Lewis) working in a department store. Mr. Tuttle (John McGiver) is the watchful owner, whose outspoken wife Phoebe (Agnes Moorehead) makes no secret about her feelings that Raymond is an incompetent boob. Barbara (Jill St. John) is the pretty elevator operator, and unknown to Raymond, the boss' daughter. Quimby (Ray Walston) is the floor manager who has more of an eye for the ladies than his job at the store. Raymond proceeds to wreck every department in the store, earning new positions with each mishap. Two of the many sight gags are when Raymond is sent to paint the top of a flagpole and a hilarious vacuum cleaner demonstration that naturally goes awry.

Invasion of the Body Snatchers (1956)

Classics

Something evil has taken possession of the small town of Santa Mira, California. Hysterical people accuse their loved ones of being emotionless impostors; of not being themselves. At first, Dr. Miles Bennell (Kevin McCarthy) tries to convince them they're wrong…but they’re not. Plant-like extraterrestrials have invaded Earth, replicating the villagers in giant seed "pods" and taking possession of their souls while they sleep. Soon the entire town is overwhelmed by the inhuman horror, but it won't stop there. In a terrifying race for his life, Dr. Bennell escapes to warn the world of the deadly invasion of the pod people! Remade in both 1978 and 1997, this chilling combination of extraterrestrial terror and anti-conformity paranoia is considered one of the great cult classics of the genre.

Black Beauty (1971)

Classics

Based on the all-time favorite novel by Anna Sewell, Black Beauty is a lyrical tale of the friendship and understanding between a young boy and his colt. Joe Evans (Mark Lester) and Black Beauty are parted and before their reunion, Beauty passes from owner to owner as a race horse, circus performer, military steed in India, and a worker for a coal merchant. Black Beauty is a passionate argument for the humane treatment of animals, as well as outstanding family entertainment.

Experiment Perilous

Classics

Director Jacques Tourneur brings his celebrated mastery of shadowy menace to this absorbing tale of madness and murder in an outwardly genteel world of wealth. Follow Dr. Bailey as he searches for the truth, but don't believe everything you're told.

The Pied Piper

Classics

Based on Robert Browning's poem about the horrors of the plague in the middle ages and of one town's deal with the Pied Piper to get rid of the rats that carried the disease. But the town has a moral disease worse than the plague.

The Wanderers

Classics

Based on the acclaimed first novel by Richard Price (The Night Of), Philip Kaufman's The Wanderers follows the exploits of the eponymous Italian-American gang in the Bronx in 1963, just before the country underwent profound change. Part comedy and part drama, the film is an evocative and thrilling look back at a more innocent time. The cult classic features a jukebox full of golden oldies and a young cast of up and comers including Ken Wahl (Wiseguy), Karen Allen (Raiders of the Lost Ark), and Linda Manz (Days of Heaven)! Cinematography by Michael Chapman (Taxi Driver, Raging Bull). Co-starring John Friedrich, Toni Kalem, Alan Rosenberg, Jim Youngs, Tony Ganios, Dolph Sweet, Michael Wright, Val Avery, Olympia Dukakis and Erland van Lidth de Jeude. New 2K restoration!

Heller In Pink Tights

Classics

Inspired by a novel by best-selling Western author Louis L'Amour, Heller In Pink Tights brings the curtain up on the traveling Healy Dramatic Company, a barnstorming 1880s theatrical troupe that spends part of its time emoting on stage – and most of its time fending off confrontational townfolk, irate creditors and suspicious sheriffs. Desperate to find a more flamboyant act to keep their audiences entertained, the ensemble's leaders, Angela Rossini (Sophia Loren) and Tom Healy (Anthony Quinn), put the "Wild" in Wild West with their comic misadventures. Directed by legendary Hollywood filmmaker George Cukor (The Philadelphia Story, A Star Is Born ), this rollicking Western spoof also boasts a stellar supporting cast that includes Steve Forrest, Eileen Heckart, Edmund Lowe, Margaret O'Brien and Ramon Novarro.

War and Peace

Classics

War and Peace is a commendable attempt to boil down Tolstoy's long, difficult novel into 208 minutes' screen time. In recreating the the social and personal upheavals attending Napoleon's 1812 invasion of Russia, $6 million was shelled out by coproducers Carlo Ponti, Dino de Laurentiis and Paramount Pictures. Some of the panoramic battle sequences are so expertly handled by second-unit director Mario Soldati that they appear to be Technicolor-and-Vistavision newsreel footage of the actual events. Still, the film falters dramatically, principally because of a lumpy script and King Vidor's surprisingly lustreless direction. In addition, the casting is wildly consistent: for example, while Audrey Hepburn is flawless as Natasha, Henry Fonda is far too "Yankeefied" as the introspective Pierre. Proving too long and unwieldy for most audiences, War and Peace died at the box office; far more successful was the epic, scrupulously faithful 1968 version, filmed in the Soviet Union.

The Fugitive (1947)

Classics

When director John Ford and actor Henry Fonda collaborate, audiences know they are in for a powerful screen experience. To such films as "The Grapes of Wrath," "My Darling Clementine" and "Fort Apache" add this brave, unsparing, magnificently lensed (by Mexico's Gabriel Figueroa) work. Based on Graham Greene's novel "The Labyrinthine Ways," the story follows a priest (Fonda) in Latin America pursued by a ruthless police lieutenant carrying out the dictates of an oppressive, anti-clerical government. There's another fugitive as well: an American killer on the run – and the paths of the two hunted men cross with fateful consequences. A haunting paean to the resilience of faith, The Fugitive remains a filmmaking triumph.

Appointment with Danger

Classics

Postal Inspector Al Goddard is assigned to investigate the mysterious murder of a fellow officer. The only witness to the crime is Sister Augustine, who identifies the photograph of Joe Regas as one of the assailants. This leads Goddard to a seedy hotel where he learns that Regas is a member of a gang headed by Earl Boettiger, and he soon discovers that the gang is planning a million dollar mail robbery. Posing as a corrupt Postal Inspector, Goddard threatens to frame one of the gunmen unless he is cut in on the deal. The gang is very wary of Goddard, but he plays his part shrewdly and wins their confidence. Then Dodie, hotel stenographer and girlfriend of Boettiger, discovers that Goddard is working with the law. But instead of telling Boettiger, she walks out. The big hold-up is pulled off successfully. Regas, who has been assigned to block the roads, kidnaps Sister Augustine and brings her to the shack where the gang meets to divide the loot. When Regas tries to shoot the nun, Goddard kills him. Sister Augustine, in her excitement, unwittingly reveals Goddard’s true intentions. Boettiger and Goddard engage in a gun duel as police and Postal Officers close in. Members of the gang are cut down one by one, and just as Goddard’s gun jams, Boettiger goes down before a burst of machine gun fire.

Classics Movies