Foreign - Movies

Teorema

Foreign

With TEOREMA, a coolly cryptic exploration of bourgeois spiritual emptiness, Pier Paolo Pasolini moved beyond the poetic, proletarian earthiness that first won him renown. Terence Stamp stars as the mysterious stranger—perhaps an angel, perhaps a devil—who, one by one, seduces the members of a wealthy Milanese family (including European cinema icons Silvana Mangano, Massimo Girotti, Laura Betti, and Anne Wiazemsky), precipitating an existential crisis in each of their lives. Unfolding nearly wordlessly, this tantalizing metaphysical riddle—blocked from exhibition by the Catholic Church for degeneracy—is at once a blistering Marxist treatise on sex, religion, and art and a primal scream into the void.

Swept Away (1974)

Foreign

Set against the backdrop of the beautiful Mediterranean, Swept Away is Lina Wertmuller's most famous and controversial film about sex, love and politics. On an elegant yacht cruising off the coast of Sardinia, Raffaella (Mariangela Melato), a rich and stunning capitalist, enjoys tormenting Gennarino (Giancarlo Giannini), a Communist sailor. Fate weaves a different scenario and roles become reversed when the two find themselves stranded together on a deserted island. Raffaella must submit to Gennarino in order to survive, which culminates in a dramatic climax when they are rescued. They must determine if their love can survive the harsh realities of civilization.

Dark Habits

Foreign

A nightclub singer seeks refuge with gay nuns on dope in a Madrid convent.

The Art Dealer

Foreign

This new drama from renowned French director François Margolin (The Flight of the Red Balloon) follows a Jewish woman who embarks on a journey to recover family paintings stolen by the Nazis; and discovers some family secrets are best kept hidden. Anna Sigalevitch, best known for her work in The Piano Teacher, Flight of the Red Balloon and Belle Epíne, gives another captivating performance as a woman desperately searching for truth in a past shrouded in mystery. Louis-Do de Lencquesaing (Father of My Children, 2009) and Michel Bouquet (Renoir, 2012) round out this stellar French cast.

Sex and Lucia

Foreign

Available online for the first time, SEX AND LUCIA is a visually stunning and thematically adventurous look at passion, elusive relationships and deep bonds between people who thought they were strangers. Lucía is a young waitress in Madrid, who seeks refuge on a quiet, secluded Mediterranean island after the loss of her longtime boyfriend. Amidst the fresh air, dazzling sun, and glistening deep blue water, Lucía begins to piece together the dark corners of her past relationship. Enthralling on every level, SEX AND LUCIA is a stirring love story that dazzles with its labyrinthine plot, breathtaking cinematography and erotic passion.

A Story of Floating Weeds

Foreign

Rich in backstage atmosphere and class-conscious insight, A STORY OF FLOATING WEEDS was one of Yasujiro Ozu’s final silent films, and it displays his complete mastery of the form. With a vivid sense of character and the world of rural Japan, he sketches a poignant tale of family secrets, jealousy, and creative community, buoyed by grace notes of humanist observation and by luminous black-and-white cinematography that shows his spare yet lyrical visuals at their most soulful.

Hagazussa

Foreign

In 15th century Austria, goatherd Albrun begins to gradually discover an ancient and malevolent presence deep within the remote Austrian Alps after the mysterious and horrifying demise of her mother. At a time when pagan beliefs about witchcraft and feminine wickedness spread fear into the minds of rural folk, the traumatized Albrun's reality evolves into a waking nightmare when she becomes a mother herself. Haunting and stylishly directed by debut filmmaker Lukas Feigelfeld, with an unsettling and immersive industrial score by MMMD, Hagazussa is a dark tale of a woman's struggle with evil and her own sanity that explores the thin line between ancient beliefs, black magic, and delusional psychosis.

Carandiru

Foreign

Through the eyes of a doctor who worked in São Paulo's infamous House of Detention for 12 years, Carandiru tells stories of crime, revenge, love and friendship, culminating in the fateful 1992 massacre that left 111 people dead. Hector Babenco, whose direction won him a nomination for the Palme d'Or at the 2003 Cannes Film Festival, makes use of striking images to tell each story that makes up Carandiru Station, the book by Dr. Drauzio Varella that spent 168 weeks on the bestseller list in Brazil and is one of the most successful titles in Brazil's history. Gathering together the doctor's stories of Latin America's largest prison, Babenco composes a sweeping and varied tapestry, full of humor and pathos, but always driven by a humanistic sense and a belief in redemption.

Summer Night

Foreign

Mariangela Melato (Swept Away) stars as Signora Bolk, a self-made tycoon interested in ecological preservation. She is fed up with the terrorists who poach Italy's rich beauty, and as part of a crazy retaliation scheme she hires a former CIA agent to abduct the number one violator, Giuseppe 'Beppe' Catania. Catania is taken to her villa on a private island where he insists that as a man, he cannot go without sex. She relents and hires two prostitutes to pleasure him. Blindfolded and chained, Beppe realizes that the third woman is none other than the woman who kidnapped him and agrees to pay the $100 million but only with a twist.

The Crime Is Mine

Foreign

Paris in the 1930s — a playground for industrial heirs and debonair architects, but the City of Lights does not shine evenly for all. Struggling actress Madeleine (Nadia Terezkiewicz) and her best friend Pauline (Rebecca Marder), an unemployed lawyer, live in a cramped flat and owe five months’ rent. Opportunity knocks after a lascivious theatrical producer who made an inappropriate advance towards Madeleine turns up dead. Madeleine stands trial for murder and ascends to decadent stardom, with Pauline serving as defense counsel and media circus ringmaster. A new life of fame, wealth, and tabloid celebrity awaits — until the truth comes out. Adapted from a 1934 play by Georges Berr and Louis Verneuil and featuring a murder’s row of a supporting cast including Isabelle Huppert, Dany Boon, and Fabrice Luchini, The Crime Is Mine is a rollicking farce and scabrous satire with a wily feminist edge from one of French cinema’s most chameleonic stylists, François Ozon.

Matador

Foreign

Once-great Spanish matador Nacho Martinez has been reduced to starring in gruesome "snuff" films. Martinez is idolized by Antonio Banderas, who has no notion of his idol's current illegal profession. Terrified at the thought of drawing blood in the bullring, Banderas nevertheless seeks out Martinez' assistance in preparing for a bullfighting career. To prove his "machismo", Banderas rapes Martinez' lady-friend Eva Cobo. No one will believe Banderas' confession of the rape, so he decides to attach more importance to his crime by confessing to a recent rash of serial killings (actually perpetrated by Martinez and his cohorts). Bandera's case is taken by feminist attorney Assumpta Serna, who unwittingly--but not unwillingly--sets herself up as Martinez' next "conquest."

Esteros

Foreign

Papu Curotto's poetic debut feature focuses on Matias and Jeronimo, who spend childhood summers together in the Argentine wetlands of Esteros until Matias' father moves his family to Brazil to take on a new job. The friends are reunited by chance as adults when Matias returns to his hometown to celebrate the graduation of his girlfriend's cousin and Jeronimo is recommended as a makeup artist to help with preparations for a costume party. As the two men tentatively reconnect, the unresolved tensions of their youth rise to the surface, which is shown through vivid flashbacks to a particularly formative summer. On pilgrimage to Esteros so that Jeronimo can deliver some items to his parents and Matias can reconnect with the landscape he has held so dear, the friends are compelled to confront their past and face the uncertainty that results.

Reality

Foreign

From acclaimed director Matteo Garrone, REALITY is a darkly comic look at Luciano, a charming and affable fishmonger whose unexpected and sudden obsession with being a contestant on the reality show “Big Brother” leads him down a rabbit hole of skewed perceptions and paranoia. So overcome by his dream of being on reality TV, Luciano’s own reality begins to spiral out of control, making for one of the most compelling tragicomic character studies since Scorsese’s The King of Comedy.

Woman in the Dunes

Foreign

One of the sixties' great international art-house sensations, Woman in the Dunes was for many the grand unveiling of the surreal, idiosyncratic worldview of Hiroshi Teshigahara. Eija Okada plays an amateur entomologist who has left Tokyo to study an unclassified species of beetle that resides in a remote, vast desert; when he misses his bus back to civilization, he is persuaded to spend the night in the home of a young widow (Kiyoko Kishida) who lives in a hut at the bottom of a sand dune. What results is one of cinema’s most bristling, unnerving, and palpably erotic battles of the sexes, as well as a nightmarish depiction of everyday Sisyphean struggle, for which Teshigahara received an Academy Award nomination for best director.

The Scoundrel (Les Mariés De L'an Deux)

Foreign

After his escape to America in the year 1787 Nicolas Phillibert wants to marry a rich American heiress. In his homeland France he is still married however to the pretty Charlotte. In order to obtain the divorce, he must return therefore to France. In confusions of the french revolution he soon gets between Royalisten and republicans. After numerous bold adventures he finds his life-merry wife as bride of the best sword fighter of the Bourbonen.

It Happened in Saint-Tropez (Des gens qui s'embrassent)

Foreign

Brothers Zef and Roni could not be more different; different career paths, different taste in women, one all religious austerity, the other enjoying the high-life. All they have in common is their ageing and addle brained father, and their daughters who are best friends. So when the funeral of Zef’s wife falls on the day of Roni’s daughter’s wedding this stroke of unfortunate timing that brings to a head the simmering antagonism between the two brothers. From London to Paris, Saint-Tropez and New York, a string of misunderstandings and betrayals blow apart any semblance of family harmony. But thanks to all the arguments and clumsy reconciliations, a great love story is born… and perhaps even two. A delightfully effervescent intergenerational comedy, starring the legendary Monica Bellucci, comedy hero Kad Merad (Welcome to the Sticks) and directed by the veteran Danielle Thompson (La Boum).

Secrets & Lies

Foreign

An expert observer of unembellished humanity, writer-director Mike Leigh reached new levels of expressive power and intricacy with this exploration of the deceptions, small and large, that shape our relationships. When Hortense (Marianne Jean-Baptiste), a Black optometrist who was adopted as a child, begins the search for her birth mother, she doesn’t expect that it will lead her to Cynthia (Brenda Blethyn, winner of the Cannes Film Festival’s best actress award), a lonely white factory worker whose tentative embrace of her long-lost daughter sends shock waves through the rest of her already fragile family. Born from a painstaking process of rehearsal and improvisation with a powerhouse ensemble cast, SECRETS & LIES is a Palme d’Or–winning tour de force of sustained tension and catharsis that lays bare the emotional fault lines running beneath everyday lives.

Horses of God

Foreign

Ten year-old Yachine and his thirteen year-old brother Hamid live in Sidi Moumen, a destitute slum on the outskirts of Casablanca. Days are spent trying to draw some pleasure from their petty existence, in the backdrop of a noxious environment of poverty and violence. Hamid, though just a child, forcefully sustains his unbalanced family by any means. As he hangs out with a bad crowd and becomes one of the local neighborhood bosses, he continues to fiercely protect his younger brother Yachine until the day he is thrown into prison for a few years. Released from jail, Hamid, now an impassive Islamic fundamentalist, persuades Yachine and his pals to join their “brothers.” The Imam Abou Zoubeir, their spiritual leader, starts to direct their long-standing physical and mental preparation. One day, he tells them they have been chosen to become martyrs. On May 16th 2003, they commit the deadliest act of terrorism in Morocco’s history.

I Am Cuba

Foreign

Both a landmark of radical political cinema and one of the most visually ravishing films ever made, this legendary hymn to revolution shimmers across the screen like a fever dream of rebellion. The result of an extraordinarily ambitious collaboration between the Soviet and Cuban film industries, director Mikhail Kalatozov’s I AM CUBA unfolds in four explosive vignettes that capture Cuban life on the brink of transformation, as crushing economic exploitation and inequality give way to a working-class uprising. Backed by Carlos Fariñas’s stirring score, the dazzling camera work by Sergei Urusevsky—an inspiration for generations of filmmakers to follow—gives flight to the movie’s message of liberation.

Werckmeister Harmonies

Foreign

This mesmeric parable of societal collapse is an enigma of transcendent visual, philosophical, and mystical resonance. Adapted from a novel by László Krasznahorkai, Werckmeister Harmonies unfolds in an unknown time in an unnamed village, where, one day, a mysterious circus—complete with an enormous stuffed whale and a shadowy, demagogue-like figure known as the Prince—arrives and appears to awaken a kind of madness in the citizens that builds inexorably toward violence. In thirty-nine hypnotic long takes engraved in ghostly black and white, auteur Béla Tarr and codirector-editor Ágnes Hranitzky conjure an apocalyptic vision of dreamlike dread and fathomless beauty.

Foreign Movies