Foreign - Movies

Que Pena tu Familia

Foreign

Que Pena Tu Familia, ends the trilogy of the romantic story of Javier and Angela. After having sworn eternal love and having their first child, decide to divorce. Angela is now a rising actress of soap operas and Javier... remains Javier.

Monster Hunt (Subtitled)

Foreign

In a mythical ancient world, monsters rule the land while humans keep to their own kingdom. But when adorable baby monster Wuba is born to a human father and the monster queen, mortals and creatures alike set out to capture the newborn, and Wuba’s epic adventure begins. The latest film from Raman Hui – whose animated work includes modern-day children’s classics “Shrek and “Antz” – “Monster Hunt” smashed box office records to become the highest grossing film in China’s history.

Margrete: Queen of the North

Foreign

The year is 1402. Margrete has achieved what no man has managed before. She has gathered Denmark, Norway and Sweden into a peace-oriented union, which she single-handedly rules through her young, adopted son, Erik. The union is beset by enemies, however, and Margrete is therefore planning a marriage between Erik and an English princess. An alliance with England should secure the union’s status as an emerging European power but a breathtaking conspiracy is under way that can tear Margrete and all she believes in apart.

Hit the Road

Foreign

Panah Panahi, son and collaborator of embattled filmmaker Jafar Panahi and apprentice to Iranian master Abbas Kiarostami, makes a striking feature debut with this charming, sharp-witted, and deeply moving comic drama. 'Hit the Road' takes the tradition of the Iranian road-trip movie and adds unexpected twists and turns. It follows a family of four – two middle-aged parents and their sons, one a taciturn adult, the other an ebullient six-year-old – as they drive across the Iranian countryside. Over the course of the trip, they bond over memories of the past, grapple with fears of the unknown, and fuss over their sick dog. Unspoken tensions arise and the film builds emotional momentum as it slowly reveals the furtive purpose for their journey. The result is a humanist drama that offers an authentic, often comedic, and deeply sincere observation of an Iranian family preparing to part with one of their own.

Paris Belongs to Us

Foreign

One of the original critics turned filmmakers who helped jump-start the French New Wave, Jacques Rivette (La belle noiseuse) began shooting his debut feature in 1957, well before that cinema revolution officially kicked off with The 400 Blows and Breathless. Ultimately released in 1961, the rich and mysterious Paris Belongs to Us offers some of the radical flavor that would define the movement, with a particularly Rivettian twist. The film follows a young literature student (Betty Schneider) who befriends the members of a loose-knit group of twentysomethings in Paris, united by the apparent suicide of an acquaintance. Suffused with a lingering post–World War II disillusionment while evincing a playful temperament, Rivette’s film marked the provocative start to a brilliant directorial career.

The Pearl Button

Foreign

The ocean contains the history of all humanity. The sea holds the voices of the Earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of a mysterious button that was discovered in its seabed. Chile, with its 2,670 miles of coastline, the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian indigenous people, of the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.

The Guardians

Foreign

France, 1915. With the men of the family away fighting the Great War on the front lines, life for the women at home on the Paridier farm gains a new resonance as they take the reins of the family property in the absence of their husbands and sons. Family matriarch Hortense Sandrail (Nathalie Baye) and her daughter Solange (Laura Smet) have deftly taken over the day-to-day operations of the farm, but with harvest time coming it is clear they will need more help to handle the workload. Finding themselves too late in the season to hire an experienced male farmhand, the Sandrails reluctantly take on an outsider, hard-luck teenaged orphan Francine Riant (newcomer Iris Bry). Francine immediately proves herself to be a hard-worker up to any task, becoming invaluable to the Sandrails as the trio of women make technical innovations and explore newfound independence on the homestead. But when Hortense's son Georges returns home on leave, a burgeoning romance with Francine disturbs the fragile order on the farm and creates new divisions and loyalties. Directed by acclaimed filmmaker Xavier Beauvois (César Award-winner for OF GODS AND MEN), THE GUARDIANS is a sweeping human drama of love, loss and resilience that unfolds against the mysterious and beautiful French countryside.

Cocote

Foreign

A rapturous crime fable set in the Dominican Republic, Nelson Carlo De Los Santos Arias’ Cocote follows Alberto, a kind-hearted gardener returning home to attend his father’s funeral. When he discovers that a powerful local figure is responsible for his father’s death, Alberto realizes that he’s been summoned by his family to avenge the murder. It’s an unthinkable act — especially for him, an Evangelical Christian. But as pressure mounts, he sees few ways out. Questions of faith, tradition and honor course through this electrifying film, which, seemingly at the speed of thought itself, jumps between film formats, colors, and aspect ratios, radically envisioning a community torn asunder by senseless violence.

Frantz

Foreign

In a small German town in the immediate aftermath of WWI, Anna (Paula Beer) grieves for her late fiancé, Frantz. When she encounters a mysterious young Frenchman (Pierre Niney) laying flowers at Frantz's grave, Anna welcomes him into her life and their shared connection to Frantz propels a haunting and romantic tale of guilt and forgiveness in the shadow of war. Directed by acclaimed French filmmaker François Ozon and shot in gorgeous black and white with revelatory moments of color, FRANTZ is a poignant reflection on national identity and alternative truths that turns "a beautiful period piece into something urgent and contemporary." (The Hollywood Reporter)

So Close

Foreign

A female undercover cop is hot on the trail of two sisters who hire out as professional assassins.

Karmalink

Foreign

In near-future Phnom Penh, a teenage boy teams up with a street-smart girl from his neighborhood to untangle the mystery of his past-life dreams. What begins as a hunt for a Buddhist treasure soon leads to greater discoveries that will either end in digital enlightenment or a total loss of identity.

Möbius (Subtitled)

Foreign

In the high stakes world of espionage, Russian FSB operative Grégory Lioubov will do whatever it takes to crack an international money laundering operation and American banker, Alice, is the key. The only problem is that Lioubov isn't the only one after Alice. Now Lioubov must find out whom he can trust and use everything he knows in order to get to the truth, and bring down a powerful Russian oligarch.

La Poison

Foreign

The writer, actor, and director Sacha Guitry emerged from the theater to become one of France’s best-known and most inventive filmmakers, and La poison marked his first collaboration with another titan of the screen, the incomparably expressive Michel Simon. With Guitry’s witty dialogue and fleet pacing, the black comedy is the quintessential depiction of a marriage gone sour: after thirty years together, a village gardener (Simon) and his wife (Germaine Reuver) find themselves contemplating how to do away with each other, with the former even planning how he’ll negotiate his eventual criminal trial. Inspired by Guitry’s own post–World War II tangle with the law—a wrongful charge of collaborationism—La poison is a blithely caustic broadside against the French legal system and a society all too eager to capitalize on others’ misfortunes.

Marguerite

Foreign

1921, the beginning of the Golden Twenties. Not far from Paris. It is party day at Marguerite Dumont's castle. Like every year, an array of music lovers gathers around a great cause at the owner's place. Nobody knows much about this woman except that she is rich and that her whole life is devoted to her passion: music. Marguerite sings. She sings wholeheartedly, but she sings terribly out of tune. In ways quite similar to the Castafiore, Marguerite has been living her passion in her own bubble, and the hypocrite audience, always coming in for a good laugh, acts as if she was the diva she believes she is. When a young, provocative journalist decides to write a rave article on her latest performance, Marguerite starts to believe even further in her talent. This gives her the courage she needs to follow her dream. Despite her husband's reluctance, and with the help of a has-been divo, both funny and mean, she decides to train for her first recital in front of a crowd of complete strangers.

Two Days, One Night

Foreign

For the first time, Belgian directors Jean-Pierre and Luc Dardenne team up with a major international star, Marion Cotillard, to create a universal story about working-class people living on the edges of society. Sandra (Cotillard) has just returned to work after recovering from a serious bout with depression. Realizing that the company can operate with one fewer employee, management tells Sandra she is to be let go. After learning that her co-workers will vote to decide her fate on Monday morning, Sandra races against time over the course of the weekend, often with the help of her husband, to convince each of her fellow employees to sacrifice their much-needed bonuses so she can keep her job. With each encounter, Sandra is brought into a different world with unexpected results in this powerful statement on community solidarity.

Sweet Bean

Foreign

Sentaro runs a small bakery that serves dorayakis - pastries filled with sweet red bean paste (“an”). When an old lady, Tokue, offers to help in the kitchen he reluctantly accepts. But Tokue proves to have magic in her hands when it comes to making “an”. Thanks to her secret recipe, the little business soon flourishes…And with time, Sentaro and Tokue will open their hearts to reveal old wound

Love on the Run

Foreign

Antoine Doinel strikes again! In the final chapter of François Truffaut’s saga, we find Doinel (Jean-Pierre Léaud), now in his thirties, convivially concluding his marriage, enjoying moderate success as a novelist, and clinging to his romantic fantasies. The newly single Doinel finds an object of his affections in Sabine, a record-store salesgirl whom he pursues with the fervid belief that without love, one is nothing. Along the way, he renews his acquaintance with previous loves and confronts his own chaotic past. In LOVE ON THE RUN, Antoine Doinel is still in love, and because he’s still in love, he’s still alive.

Female Agents

Foreign

May 1944. A five-woman commando unit parachutes into occupied France on a daring and dangerous mission to protect the secret of the D-Day Landings and eliminate Colonel Heindrich, the head of German counter-intelligence.

Memories of Underdevelopment

Foreign

This film by Tomás Gutiérrez Alea is the most widely renowned work in the history of Cuban cinema. After his wife and family flee in the wake of the Bay of Pigs invasion, the bourgeois intellectual Sergio (Sergio Corrieri) passes his days wandering Havana in idle reflection, his amorous entanglements and political ambivalence gradually giving way to a mounting sense of alienation. With this adaptation of an innovative novel by Edmundo Desnoes, Gutiérrez Alea developed a cinematic style as radical as the times he was chronicling, creating a collage of vivid impressions through the use of experimental editing techniques, archival material, and spontaneously shot street scenes. Intimate and densely layered, Memories of Underdevelopment provides a biting indictment of its protagonist’s disengagement and an extraordinary glimpse of life in postrevolutionary Cuba.

Que Pena Tu Vida

Foreign

After being unemployed and all alone, Javier decides to try and win back Sophia, his ex-girlfriend, but discovers that she is already with another man and has no intentions to get back with him. To overcome the failure of love, Javier will be mired in endless adventures with different women and characters that cross on their way (family, friends and co-workers), where alcohol, sex and bad decisions are the common factors of this chaotic and decadent trip. During the whole journey and always beside was Angela, his best friend, probably the person he was always looking for.

Foreign Movies