Foreign - Movies

Dark Blue World

Foreign

Reuniting the creative team responsible for Kolya, 1996 Oscar® winner for Best Foreign Film, under Czech director Jan Sverak, Dark Blue World tells the story of the friendship between two Czech pilots, the veteran Franta (Ondrej Vetchý) and fresh-faced young trainee Karel (Krystof Hádek). They escape Nazi-occupied Czechoslovakia, make their way to Britain and join the Royal Air Force. When Karel's plane is hit and he bails out in the countryside, he is taken in by Susan (Tara Fitzgerald), an Englishwoman whose husband is missing in action. In a moment of weakness, she makes love to Karel, relieving him of his virginity. But later, when Karel takes Franta to meet his "new love," Franta and Susan are attracted to each other, leading to a situation that will put the two men's friendship to the ultimate test.

Unknown Soldier

Foreign

Based on the classic novel, UNKOWN SOLDIER follows the story of Rokka, Kariluoto, Koskela, Hietanen, and their brothers-in-arms. It shows how friendship, humour, and the will to live unite these men on their way there and back. The war changes the lives of each of the soldiers as well as the lives of those on the home front, and also leaves its mark on the entire nation.

Full Time

Foreign

Julie (Laure Calamy) can’t catch a break. For a single mother raising two children in the suburbs of Paris but working in the city, the commuter train is a lifeline–and it’s suddenly been severed during the latest transit strike. Without the train, Julie can’t get to her job as the head maid at a five-star hotel–or to the interview for a better job she has lined up. Out of desperation, Julie turns to neighbors and her own gutsy resourcefulness to commute into the city for work, barely making it back in time to pick up her kids before dinner. Worse yet: it’s only Monday. Julie is at her breaking point and soon finds herself bending the rules to stay afloat in a ruthless society as her responsibilities pile up. Anchored by Calamy’s powerful performance, Full Time is an impossible race against time and a kinetic thriller assembled from the everyday obstacles faced by working parents everywhere.

Miranda

Foreign

Presented for the 1st time in a superb, wide screen, anamorphic version, showcasing Brass’ luscious photography and carefully choreographed set-pieces and showing off the spectacular, titanically proportioned, Serena Grandi, whose completely uninhibited, gleeful naturalness perfectly embodies the Miranda character, and permitted Brass to push explicit eroticism to the doors of hardcore. Based on the Carlo Goldoni play, Serena Grandi is Miranda the landlady of a “taverna” who must choose between the many men who wish to conquer and tame her.. She lustfully juggles her lovers: a rich politician, a local gigolo and an American GI, while taking malicious pleasure in tormenting her own innkeeper … until her search for love is rewarded – and so is the chosen man!

3-Iron

Foreign

Tae-suk drifts around on his motorcycle looking for empty houses to stay in until the vacationing owners return. He never steals or ruins anything, in fact spends his time fixing broken items as a form of rent. One day, Tae-suk meets his destiny; a married woman named Sun-hwa. When Tae-suk breaks in, Sun-hwa hides in the dark and silently watches him. When she sees him fixing a broken scale, she realizes he is not a thief and continues to observe him from the shadows. When Sun-hwa's husband comes home and abuses her, Tae-suk grabs a 3-iron and swings it at golf balls, which strike her husband. Tae-suk and Sun-hwa run away and live in empty homes together until one day when they find a dead body!

La Chinoise

Foreign

Paris, 1967. Disillusioned by their suburban lifestyles, a group of middle-class students, led by Guillaume (Jean-Pierre Léaud) and Veronique (Anne Wiazemsky), form a small Maoist cell and plan to change the world by any means necessary. After studying the growth of communism in China, the students decide they must use terrorism and violence to ignite their own revolution. Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with this swiftly paced satire.

Blush

Foreign

17-year-old Naama spends most of her free time drinking and partying in the hopes of escaping from her parents' constant bickering, worsened by the recent disappearance of her AWOL soldier sister. When a free-spirited new girl shows up at school, Naama falls deeply in love for the first time and the intensity of the experience at once confuses her and gives her life new meaning.

The Turin Horse

Foreign

On January 3, 1889 in Turin, Italy, Friedrich Nietzsche steps out of the doorway of number six, Via Carlo Albert. Not far from him, a cab driver is having trouble with a stubborn horse. The horse refuses to move, whereupon the driver loses his patience and takes his whip to it. Nietzsche puts an end to the brutal scene, throwing his arms around the horse’s neck, sobbing. After this, he lies motionless and silent for two days on a divan, until he loses consciousness and his mind. Somewhere in the countryside, the driver of the cab lives with his daughter and the horse. Outside, a windstorm rages. Immaculately photographed in Tarr’s renowned long takes, The Turin Horse is the final statement from a master filmmaker.

Jesus

Foreign

Nothing comes easily to Santiago teen Jesús. His group has just lost the local battle of the boy bands, he can't seem to finish high school or keep track of money, and his widower father is fed up with his inertia. Uncertain what path to take, Jesús is trapped in a dead-end cycle of getting wasted with his buddies and looking for trouble. The boys are partying in a cemetery one night when things get out of hand and they gang up on a defenseless kid, beating him badly. The next day Jesús learns that the kid's in a coma and the police are searching for those responsible. Desperate to avoid both the authorities and his friends, he has no choice but to turn to his father for help. But how far should a father be expected to go to protect a child when that child is as lost as Jesús?

Gett: The Trial of Viviane Amsalem

Foreign

Trapped in a loveless marriage, Viviane Amsalem (Ronit Elkabetz) has long sought a divorce from her devout and stubborn husband Elisha (Simon Abkarian). But under Israeli law, all divorce proceedings are overseen by an Orthodox rabbinical court, which can only dissolve a marriage with the husband’s consent. And despite their estrangement, Elisha refuses to grant Viviane a gett (bill of divorce), inciting an intense domestic battle of wills. Fearlessly acted, written and directed (with her brother Shlomi) by Elkabetz (THE BAND'S VISIT), one of Israel’s finest actresses, GETT: THE TRIAL OF VIVIANE AMSALEM is at once a brilliantly-crafted and riveting courtroom drama, and a searing indictment of an uncompromising and archaic legal system.

The Brats

Foreign

On getting engaged, Thomas meets his future father-in-law Gilbert, married for 30 years to Suzanne. Gilbert, disillusioned, feels that he missed out on life by getting married. He persuades Thomas not to marry his daughter Lola and to dump everything along with him. They then dive into a wild new life as big kids, convinced that freedom lies elsewhere. But what is the cost of recovering your teenage dreams?

Omar

Foreign

Omar, a young baker turned freedom fighter, is accustomed to dodging surveillance bullets to cross the separation wall to visit his secret love Nadia. But occupied Palestine knows neither simple love nor clear-cut war. When Omar is captured after a deadly act of resistance, he falls into a cat-and-mouse game with the military police. As suspicion and betrayal jeopardize his longtime trust with accomplices and childhood friends, Omar must face painful choices about life, manhood and love.

Piaffe

Foreign

Introverted and unqualified, Eva is unexpectedly tasked with foleying the sound for a commercial featuring a horse. As she slowly acclimates to the new job, her obsession with creating the perfect equine sounds grows into something more tangible. Eva harnesses this new physicality, becoming more confident and empowered, and lures an unassuming botanist into an intriguing game of submission. Shot on lush 16mm, 'Piaffe' is a visceral journey into control, gender, and artifice.

Beauty of the Devil

Foreign

Michel Simon and Gérard Philipe star in this imaginative retelling of the Faust legend. Approaching the end of his life, a prominent professor of alchemy (Simon) makes a bargain with the Devil (Philipe) that will gain him youth, fame and riches in exchange for his soul. Master filmmaker René Clair creates an allegorical fantasy that is at times both whimsical and tragicomic.

Rien à déclarer (Nothing to Declare)

Foreign

In this tiny border town between France and Belgium, life is all about customs. So when headlines announce the opening of the E.C. borders in the early 90's, a loud cry of panic goes up – "Noooooooooooooo!" Ruben is a Belgian customs officer with an abiding hatred of all things French. Mathias is the French customs officer who’s secretly in love with Ruben's sister, the girl from the chocolate shop, Louise. The couple’s love will be tested by a series of hilarious misunderstandings involving a drug smuggling ring, a frog-hating Belgian father, and Ruben’s desire to see his sister get married… to a Belgian colleague, that is. It’s waffles vs. camembert, in a fight to the finish.

Bed and Board

Foreign

The fourth installment in François Truffaut’s chronicle of the ardent, anachronistic Antoine Doinel, BED AND BOARD plunges his hapless creation once again into crisis. Expecting his first child and still struggling to find steady employment, Doinel (Jean-Pierre Léaud) involves himself in a relationship with a beautiful Japanese woman that threatens to destroy his marriage. Lightly comic, with a touch of the burlesque, BED AND BOARD is a bittersweet look at the travails of young married life and the fine line between adolescence and adulthood.

Little Nicholas: Happy as Can Be

Foreign

Inspired by author René Goscinny and artist Jean-Jacques Sempé’s creative partnership, the film tells the story of the creation of Little Nicholas, a beloved children’s book series. It follows the growth of the duo’s friendship as they bring the mischievous main character and his friends to life.

The Visitors 2 (Les couloirs du temps - Les visiteurs II)

Foreign

Godefroy de Montmirail is about to marry Frénégonde de Pouille when the Duke, her father, interrupts the wedding preparation. Someone has "stoleneth" the sacred relic of Sainte Rolande which assures the fecundity of the de Pouille women. It is now the property of Bernie 'the scallop" and Ginette, in the present. Calamity! The corridors of time are not shut and it can only spell the worst possible disasters. And to top it all off, Bernardin, the descendant of Bernie, came back with Godefroy and is stranded in the Middle Ages. Godefroy decides to return to the present for a harrowing second voyage in The Corridors of Time, the sequel to The Visitors.

Lost Illusions

Foreign

Xavier Giannoli’s sumptuous adaptation of Honoré de Balzac’s epic novel, Lost Illusions is a ravishing vision of the birth of modern media. Lucien de Rubempré (Benjamin Voisin) is an ambitious and unknown aspiring poet in 19th century France. He leaves his provincial town, arriving in Paris on the arm of his admirer, Louise de Bargeton (Cécile de France). Outmatched in elite circles, Lucien’s naive etiquette prompts Louise to retreat back to her husband, leaving the young poet to forge a new path. Lucien makes a new friend in another young writer, Etienne Lousteau (Vincent Lacoste), who introduces him to the business of journalism where a salon of wordsmiths and wunderkinds make or break the reputations of actors and artists with insouciant impunity. Lucien agrees to write rave reviews for bribes, achieving material success at the expense of his conscience and soon discovers that the written word can be an instrument of both beauty and deceit.

Once Upon a Time in Anatolia

Foreign

Winner of the Grand Prize at the Cannes Film Festival, Once Upon A Time In Anatolia is the new film from the celebrated director of Distant and Climates. In the dead of night, a group of men – among them, a police commissioner, a prosecutor, a doctor and a murder suspect – drive through the Anatolian countryside, the serpentine roads and rolling hills lit only by the headlights of their cars. They are searching for a corpse, the victim of a brutal murder. The suspect, who claims he was drunk, can’t remember where he buried the body. As night wears on, details about the murder emerge and the investigators’ own hidden secrets come to light. In the Anatolian steppes, nothing is what it seems; and when the body is found, the real questions begin.

Foreign Movies